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唯美的英文句子,最好帶翻譯
1、
英文：Please allow me to small proud, because like you depend on.
中文：請容許我小小的驕傲，因為有你這樣的依靠。
2、
英文：I'm just a sunflower, waiting for belong to me only sunshine.
中文：我只是一朵向日葵，等待屬于我的唯一的陽光。
3、
英文：We are all "were", blurred our closest happiness.
中文：我們都是“遠視眼”，模糊了離我們最近的幸福。
4、
英文：We are all too young, a lot of things don't yet know, don't put the wrong loves when gardeners.
中文：我們都太年輕，很多事都還不了解，別把錯愛當恩寵。
5、
英文：Gentle to have, but not compromise, I want to be in quiet, not strong.
中文：溫柔要有，但不是妥協，我要在安靜中，不慌不忙的堅強。
6、
英文：The life most of the time, commitments equals to constrain, reluctantly we yearn for bound.
中文：人生的大部份時間里，承諾同義詞是束縛，奈何我們向往束縛。
7、
英文：Important people, less and less people left more and more important.
中文：重要的人越來越少，留下來的人越來越重要。
8、
英文：Only opposed every day, will live the strong than you imagine.
中文：每天只有逞強著，才會活得比你們想象中的堅強。
9、
英文：My world, you don't care; Your world, I was cast out.
中文：我的世界，你不在乎；你的世界，我被驅逐。
10、
英文：Would a man running in the rain, also don't want to put into the arms of the false.
中文：寧愿一個人在雨中奔跑，也不愿投入你那虛偽的懷抱。
11、
英文：To give you a lot of freedom, may I let you have more waiting reason to leave.
中文：給了你很多自由，可能我的守候讓你更有離開的理由。
12、
英文：Life is not waiting for the storm in the past, but learning to dance in the wind and rain.
中文：生活不是等著暴風雨過去，而是學會在風雨中跳舞。
13、
英文：For short, do not remember every detail, every mood.
中文：因為短暫，不記得每一個細節，每一個情緒。
14、
英文：The way of the time is the single car, never sell FanChengPiao.
中文：時間的路是單程車，從來不賣返程票。
15、
英文：Tears flow is down and out, because you never know what I choose!
中文：淚流的很落魄，是因為你從不懂我的選擇！
抒情英文句子短一點的像：Lifeisnotalwayssweet,butittahtlife……一樣的
1) I love you not because of who you are, but because of who I am when I am with you. 我愛你，不是因為你是一個怎樣的人，而是因為我喜歡與你在一起時的感覺. 2) No man or woman is worth your tears, and the one who is, won“t make you cry 沒有人值得你流淚，值得讓你這么做的人不會讓你哭泣. 3)The worst way to miss someone is to be sitting right beside them knowing you can”t have them. 失去某人，最糟糕的莫過于，他近在身旁，卻猶如遠在天邊. 4) Never frown, even when you are sad, because you never know who is falling in love with your smile. 縱然傷心，也不要愁眉不展，因為你不知是誰會愛上你的笑容. 5) To the world you may be one person, but to one person you may be the world. 對于世界而言，你是一個人；但是對于某個人，你是他的整個世界. 6) Don“t waste your time on a man/woman, who isn”t willing to waste their time on you. 不要為那些不愿在你身上花費時間的人而浪費你的時間. 7) Just because someone doesn“t love you the way you want them to, doesn”t mean they don“t love you with all they have. 愛你的人如果沒有按你所希望的方式來愛你，那并不代表他們沒有全心全意地愛你.8) Don”t try so hard, the best things come when you least expect them to. 不要著急，最好的總會在最不經意的時候出現. 9) Maybe God wants us to meet a few wrong people before meeting the right one, so that when we finally meet the person, we will know how to be grateful. 遇到夢中人之前，上天也許會安排我們先遇到別的人；在我們終于遇見心儀的人時，便應當心存感激. 10) Don“t cry because it is over, smile because it happened. 不要因為結束而哭泣，微笑吧，為你的曾經擁有。
【寫出含有26個字母的句子最好不重復】
如果不重復，是不存在這種句子的.我給你的這幾個是最短的.（如果我能造出來你要求的句子，我也進吉尼斯了） 包含26個字母的最短英文句子 作者：飛鳥的天堂 包含26個字母的最短英文句子 來源：飛鳥的天堂 練習打字的人十之八九都打過這個句子：The quick brown fox jumps over a lazy dog.（快速的棕色狐貍跳過一條懶狗.） 這個句子只使用了32個字母，卻將英文26個字母完全包括了，所以是練習打字最好的材料之一.另外還有一個句子，也只用了32個字母，只是普遍性遠不如第一句.這個句子是：Pack my box with five dozen liquor jugs.（將五打酒瓶裝在我的箱子里.） 其實，完全包含英文26個字母，卻比上述兩句更簡短的句子仍有不少，像下述的句子就只動用了31個字母：The five boxing wizards jump quickly.（五個打拳的男巫快速跳動.） 如果你還想用更少的字母寫這種句子，恐怕就非得動用專有字詞不可了.像下述的句子就只用了29個字母：Quick wafting zephyrs vex bold Jim.（疾風使勇敢的吉姆不知所措.） 另外一句更短，只用了28個字母：Waltz nymph,for quickj igs vex Bud，（女神輕快的華爾滋舞步激怒了巴德.） 最后一句更稱得上壓軸之作，只用了26個字母.可惜卻包含兩個專有名詞，而且還是含有縮寫字母的專有名詞，投機之嫌大大地減低了它的奧妙.這個句子是：*tz flung * my box.(*tz用我的箱子摔*.) 據說，如果有人能動用英文26個字母，一個都不重復，寫成一個不包含任何專有名詞的句子，《基尼斯世界紀錄大全》將會把他的大名收錄在內.。
thegodfather中的英文詞句
The Godfather：教父 《教父》是派拉蒙影業公司出品的一部黑幫題材的電影，改編自馬里奧·普佐的同名小說，由弗朗西斯·福特·科波拉執導，馬龍·白蘭度、阿爾·帕西諾等主演。
影片于1972年在美國上映。 該片講述了以維托·唐·科萊昂為首的黑幫家族的發展過程以及科萊昂的小兒子邁克如何接任父親成為黑幫首領的故事。
1973年這部電影獲得了第45屆奧斯卡獎最佳電影、最佳男主角、最佳改編劇本三項獎項[1] ；此外還獲得了第30屆美國金球獎最佳電影獎、最佳導演等獎項。2007年美國電影協會評選了“百年百佳影片”，《教父》排名第二。
搜索《the godfather ppt》，百度文庫中有許多關于教父的英語詞句。 附件中貼了一個the_godfather_ppt。
Genre The Godfather conforms to the key generic conventions of the gangster film: the tragic narrative, the pursuit of the American dream, the morality tale message, and the documentary style, which are important features of the film. However, what makes The G a significant contribution to the genre, and to cinema as a whole, is the originality of its approach. The tragic narrative in The G takes on the dimensions of classical tragedy. The director, Francis Ford Coppola, suggested as much when he said that it was a “romance about a king with three sons”(modern King Lear). Don Corleone's is similar to Lear's in that he has three offspring to whom he can pass on his mantle of “Godfather”, but not all are worthy. The eldest, Fredo, is a womanizing drunk and incompetent buffoon who when his father is shot before his eyes, merely collapses in tears on the curbside. Sonny, the second son, is strong, masculine, and good-natured, but he is too emotional and impetuous, and is killed as a result. The only viable candidate for the role of “Godfather” id Michael, but he has renounce the criminal side of the family—and so Don Corleone's tragedy is that he must pass on his “crown” to an unwilling heir. Michael's story is, in turn, equally tragic: He is a great man with great potential, but through his love for his father he compromises his principles and ends up losing everything important in life—love, intimacy, friendship, peace of mind, and ultimately (in The Godfather III) his family as well. At it's core, the tragedy of the gangster embodies the most basic paradox of success—a paradox centered on the fact that success always arouses the hatred that is its undoing. “Success is always the establishment of an individual pre-eminence that must be imposed on others, in whom it automatically arouse hatred. The gangster is doomed because he is under an obligation to succeed.” The motive for all this is the pursuit of the “American Dream”—a belief that the poorest man can, with hard work and persistence, rise to the presidency. Don Corleone was pursuing this dream when he came to America from Sicily; he failed because he remained essentially a criminal. Michael pursues the dream on behalf of his dead father and hopes to make the family organization completely legal. He, too, fails as one crime leads to another, and he finds it impossible to extricate himself. This feeds into the “morality tale” message of The G, which could be simplified as, “However well intentioned you may be, and however much material benefit it brings, crime will entrap you and destroy the things that are valuable to you.” What makes The G so interesting and original, though, is that this “moral” is complicated by the main character, who are never purely evil, but are instead presented as full human beings with ambitions, affections, weaknesses, and idiosyncrasies. Character The Character of the Gangster The Revolution in Characterization in The Godfather Classic Gangster Character The Gangster Character in The G Without culture, without manners, without leisure Don C and Michael are both closely attached to the culture of Sicily Lonely and melancholy The loneliness of Don C and M is alleviated by their closeness to each other Expansive and noisy Don C and M are both quiet, thoughtful, and introspective Violent and may lose control at any time Don C and M are defined by their capacity for self-control Trying to “get ahead” and is therefore never satisfied Don C and M look forward to a day when their organization will become legal and they can get out of crime. No need of love (associating with loose women and prostitutes) Don C and M are family men; Don C believes that only men who pay attention to their families can be “real men”. Material possessions are central to his being—they define him—and are ostentatiously displayed. Don C and M both reject ostentation; their identities are defined not by 。
