1. 竹編的特點
竹編所用竹絲斷面全為矩形,在厚薄粗細上都有嚴格要求,厚度僅為一兩根頭發絲厚,寬度也只有四五根發絲寬,根根竹絲都通過勻刀,達到厚薄均勻,粗細一致,觀者無不贊嘆其難。傳統竹編工藝有著悠久的歷史,富含著勞動人民辛勤勞作的結晶,竹編工藝品分為細絲工藝品和粗絲竹編工藝品。在傳統技藝街區展出了不同風格的竹編作品,既有歷史悠久,技藝高超的青神竹編,又有將現代流行時尚與中國傳統文化工藝相結合的劉氏竹編,博采眾長。
2. 泉州竹編有何藝術特點
泉州竹編,歷史悠久、源遠流長,早在唐龍紀元年(889年)就已出現竹制、木制家具和農具。
明代時,黃甲街成為當時泉州最大的竹編會聚地,而竹編業 也是泉州最大、從業人數最多的手工業。從清代到中華民國,泉州各縣廣泛開 設竹器鋪,大量生產各種竹家具和農具。
20世紀50年代初,李碩卿在傳統泉州 竹編的基礎上,將中國畫風格、編織技法融入其中,獨創了更具藝術魅力的“泉 州改良竹編”。1978年,“改良竹編”達到高峰。
20世紀90年代后期,“改良竹 編”又創制出新種類。泉州竹編特色鮮明,主要表現在以下方面:①運用各種編織形式,如,雀目 編織法、旋花編織法、辮形編織法、平順編織法等。
②立體圖案花形系列化,編 織花紋凸顯明暗分化。③紅、黑雙層顏色磨光。
④藝術特色精巧雅致、莊重渾 厚、新奇古趣。⑤花色品種多達500多種,如,瓶、罐、籃、花籃、盒、盤、花器、鳥 籠、壁掛屏、臺燈、燈罩等。
⑥洋溢著濃郁的泉州地方特色。從制作工序上看,泉州竹編主要經5道工序制成:第一,制作木模具。
制作 模具時根據的是產品造型圖。第二,破竹篾。
用竹管破成各種篾絲、篾片,然后 在水中泡軟,再用刮刀將其刮得光亮。第三,將竹蔑附在模具上編成胚體。
待脫模后,還要在外面鑲插上各種竹蔑花紋,最后完成整體造型。第四,染色。
將竹編產品雛形放進染鍋進行染色,撈出后待其晾干再以木砂紙打磨光亮,然后再用清淡的橘紅色染一次即可。 第五,上漆。
將染好的竹編用夾具固定起來加以端正造型,待基本造型穩定后再在其外表噴一遍透明大漆,使表面光亮起來,然后經反復多次噴漆,最后洗凈即可。泉州竹編由來已久,著名藝人也代代相傳,繼承了這門獨特的手藝。
清代時,老竹匠黃大頭遐邇聞名。近代以來,泉州著名國畫家李碩卿發明了“改良竹編”,既有經久耐用的實用性,也有栩栩如生的藝術性。
凌文彬是“改良竹編”這門技藝的唯一傳承人,并且在“改良竹編”的基礎上又創造了新型編織法。泉州竹編具有多種價值,如,歷史科研價值、文化藝術價值,是游客在福建購物的好選擇。
3. 瓷胎竹編的簡短介紹(英文
1。
Porcelain-bodied bambooware is one of the most unique handicraft arty works in China, which has 5 main esthetic features:best materials,perfect filament,cling tube,secret thrum and multicolored patterns。 瓷胎竹編是中國特有的手工藝術作品之一, 有"精選料、特細絲、緊貼胎、密藏頭、五彩圖"的技藝特色。
2。The history of it can date back to Qing Dynasty,when it was used as Tribute to the royalty。
瓷胎竹編的歷史可追溯至清代,那時它主要是作為貢品進獻給皇室。3。
The porcelain-bodied bambooware work uses only the first layer of bamboo and is often dealt with special technics at the same time。 瓷胎竹編作品通常只用竹子的表面一層,同時經過了特殊工藝處理。
4。The finished works can be in good quality even in a wet air condition。
It's not easy to make them out of shape or be damaged by worm。 They are also water proofing and easy to clean。
成品具有耐干燥,不變形,不蟲蛀,耐水可清洗的優點。
4. 瓷胎竹編的簡短介紹(英文
瓷胎竹編英文名:Woven Bamboo Wares with Porcelain Bodies Inside 簡介:The handcrafts are of national recognition as special local handicrafts, noted for their fineness and characteristic of “choice materials, silk thin filament, close stickness between bamboo wares and the porcelain bodies, densely hidden heads and multi-colored silk”。
背景及制作工藝:This craftsmanship originates in Chengdu of the Qing Dynasty, with a history of more than one hundred years。 The entire production process, from stock, silk making and weaving, to ornamentation, is by manual operation with hands and knife。
Every bamboo thread is shaped in compliance with the porcelain body and tightly attached to the face; all the joints are fully concealed as if the utensil is born to be one whole piece, hence, the craftwork is also called porcelains covered by bamboo silk which derives only from the surface layer of bamboo。 With delicate and dense fibre, it is desiccation resistant, ametabolic, worm-damage-free, water-resistant and cleanable after special processing。
The handicraft has its emphasis on the integration of sight enjoyment and practicality。 From canteens, rice bowls, cigarette cases in the Qing Dynasty, to modern vases, sugar basins, caddies, vovered-bowl tea, toothpick canisters, purses, caskets, etc。
, they are beautiful and banausic tourism souvenirs and artifacts。 Various patterns, in particular knitted around the mouths or across the handles of the woven wares such as tea , wine and coffee set, stationery, smoking and sofa set , or designs on the curved little handgrips of nozzle cups, are the unique accomplishment that distinguishes the craftsmanship from other types of bamboo weaving。