華閱文章網1.有啥關于京劇的簡短英文介紹
Peking Opera, once called pingju, is one of the five major operas in China.
（京劇，曾稱平劇，中國五大戲曲劇種之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（場景布置注重寫意，腔調以西皮、二黃為主，用胡琴和鑼鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被視為中國國粹，中國戲曲三鼎甲“榜首”。）
Hui opera is the predecessor of Peking Opera.
（徽劇是京劇的前身。）
From 1790, the 55th year of qianlong of the qing dynasty.
（清代乾隆五十五年（1790年）起。）
The former three qing, four xi, chuntai and hechun in the south, the four hui classes came to Beijing one after another.
（原在南方演出的三慶、四喜、春臺、和春， 四大徽班陸續進入北京。）
They collaborated with han singers from hubei province.
（他們與來自湖北的漢調藝人合作。）
At the same time, he also accepted some plays, tunes and performing methods of kunqu opera and qinqiang opera.
（同時又接受了昆曲、秦腔的部分劇目、曲調和表演方法。）
It absorbed some local folk tunes and formed Beijing Opera through continuous communication and integration.
（吸收了一些地方民間曲調，通過不斷的交流、融合，最終形成京劇。）
After its formation, Peking Opera began to develop rapidly in the qing court.
（京劇形成后在清朝宮廷內開始快速發展。）
Until the republic of China achieved unprecedented prosperity.
（直至民國得到空前的繁榮。）
擴展資料
京劇表現手法：京劇表演的四種藝術手法：唱、念、做、打，也是京劇表演四項基本功。唱指歌唱，念指具有音樂性的念白，二者相輔相成，構成歌舞化的京劇表演藝術兩大要素之一的“歌”，做指舞蹈化的形體動作，打指武打和翻跌的技藝，二者相互結合，構成歌舞化的京劇表演藝術兩大要素之一的“舞”。
戲曲演員從小就要從這四個方面進行訓練，雖然有的演員擅長唱功（唱功老生），有的行當以做功（花旦）為主，有的以武打為主（武凈）。
但是要求每一個演員必須有過硬的唱、念、做、打四種基本功。只有這樣才能充分地發揮京劇的藝術特色。更好地表現和刻畫戲中的各種人物形象。京劇有唱，有舞，有對白，有武打，有各種象征性的動作，是一種高度綜合性的藝術。
參考資料來源：搜狗百科-京劇
2.用英語介紹中國的京劇,100個詞左右
China Peking Opera is China's "national essence. Is China's biggest operas. Enrich its repertoire, the artist as much as the troupe as much audience as much deep impact are highest in the country. Peking Opera is a comprehensive performing arts gathers to sing (singing), read (read white), do (performance), fight (martial arts), dance (dance) as a whole, by means of program performance Syrian Telling Stories, carved figures, expressing "happiness, anger, sadness and joy, surprise ., fear, sadness, "the role of thoughts and feelings can be divided into: Health (men), Dan (woman), net (men), ugly (men, women Jie) line of business figures have four points Faithfulness, beauty and ugliness of it. points, good or evil. various vivid, lifelike.
記得采納哦！
下次繼續合作！
3.介紹京劇的英語作文70個單詞
A Beijing opera is a kind of dramatic work from China Which is traditional and * days,movies are popular in young people but Beijing operas are * my opinion,traditional culture is important for everybody,we need to protect and inherit them.。
4.要一段簡短的關于梅蘭芳的英文介紹
editor: Kathryne Ogrod & Elsa Zhang 中國京劇藝術大師梅蘭芳，舞臺生涯五十多年。
他與飯店感情頗深：天津是他每年必到之地，來即下榻來即下榻利順德332房間，梅先生多次入住飯店與飯店員工結下了深情，飯店將332房間恭修為“蘭芳套房”。梅先生的藝術風采和音容笑貌在這里留下了深深的回憶。
京劇行當中梅蘭芳最擅演的是“旦”.京劇中把女性統稱為“旦”，其中按照人物的年齡、性格又可細分為許多行當，飾演大家閨秀和有身份的婦女稱為“正旦”，正旦在京劇中俗稱“青衣”，這就是因為正旦所扮演的角色常穿青色的長衫而得名。京劇《竇娥冤》中的女主角竇娥就是典型的青衣角色。
青衣的表演莊重嫻靜，秀雅柔婉，以唱功為主，一般說來，青衣的唱腔旋律優美，細膩婉轉。 梅蘭芳先生在促進我國與國際間文化交流方面作出了卓越的貢獻。
他是我國向海外傳播京劇藝術的先驅。他曾于1919年、1924年和1956年三次訪問日本，1930年訪問美國，1935年和1952年兩次訪問蘇聯進行演出，獲得盛譽，并結識了眾多國際著名的藝術家、戲劇家、歌唱家、舞蹈家、作家和畫家，同他們建立了誠摯的友誼。
他的這些活動不僅增進了各國人民對中國文化的了解，也使我國京劇藝術躋入了世界戲劇之林。 梅蘭芳先生是中國表演藝術的象征，是我國人民的驕傲。
a century of astor (6) beijing opera floats overseas Mr Meilanfang, the master of Peking Opera, spent more than fifty years on the stage. During those years he came to Tianjin every year and the Astor Hotel was his favorite hotel. The room 332 became his home for many years and he developed a deep friendship with the clerks there. The room is called the Lanfang Suite. Meilanfang is good at playing the role of women in Beijing operas, called “Dan”. According to the age and personality of the character, there are many different kinds of Dans. If she is a decent girl, will be called “Zhengdan” or “Qingyi” if she is just a young girl; the character on the stage is usually dressed in blue. The heroine of “Dou E's Grievance” is a typical “Qingyi” character. This kind of character is supple and elegant; the singing skill is the most important technical point and the song itself is soft and beautiful. Mr Meilanfang increases international communication between China and other countries as the forerunner who spreads Beijing opera abroad. He has visited Japan in 1919, 1924 and 1956. In 1930, he visited America. He visited Russia in 1935 and 1952, which gained him a high reputation. During this period he knew many famous artists, singers, dancers, writers and painters. Because of his travels, there was an improved culture understanding in many countries. From that time forward, Beijing opera is listed into the dictionary of international drama. Mr Meilanfang is the symbol of Chinese acting art and holds with him our pride. 【這個口以么？】。
5.要一段簡短的關于梅蘭芳的英文介紹
editor: Kathryne Ogrod & Elsa Zhang 中國京劇藝術大師梅蘭芳，舞臺生涯五十多年。
他與飯店感情頗深：天津是他每年必到之地，來即下榻來即下榻利順德332房間，梅先生多次入住飯店與飯店員工結下了深情，飯店將332房間恭修為“蘭芳套房”。梅先生的藝術風采和音容笑貌在這里留下了深深的回憶。
京劇行當中梅蘭芳最擅演的是“旦”.京劇中把女性統稱為“旦”，其中按照人物的年齡、性格又可細分為許多行當，飾演大家閨秀和有身份的婦女稱為“正旦”，正旦在京劇中俗稱“青衣”，這就是因為正旦所扮演的角色常穿青色的長衫而得名。京劇《竇娥冤》中的女主角竇娥就是典型的青衣角色。
青衣的表演莊重嫻靜，秀雅柔婉，以唱功為主，一般說來，青衣的唱腔旋律優美，細膩婉轉。 梅蘭芳先生在促進我國與國際間文化交流方面作出了卓越的貢獻。
他是我國向海外傳播京劇藝術的先驅。他曾于1919年、1924年和1956年三次訪問日本，1930年訪問美國，1935年和1952年兩次訪問蘇聯進行演出，獲得盛譽，并結識了眾多國際著名的藝術家、戲劇家、歌唱家、舞蹈家、作家和畫家，同他們建立了誠摯的友誼。
他的這些活動不僅增進了各國人民對中國文化的了解，也使我國京劇藝術躋入了世界戲劇之林。 梅蘭芳先生是中國表演藝術的象征，是我國人民的驕傲。
a century of astor (6) beijing opera floats overseas Mr Meilanfang, the master of Peking Opera, spent more than fifty years on the stage. During those years he came to Tianjin every year and the Astor Hotel was his favorite hotel. The room 332 became his home for many years and he developed a deep friendship with the clerks there. The room is called the Lanfang Suite. Meilanfang is good at playing the role of women in Beijing operas, called “Dan”. According to the age and personality of the character, there are many different kinds of Dans. If she is a decent girl, will be called “Zhengdan” or “Qingyi” if she is just a young girl; the character on the stage is usually dressed in blue. The heroine of “Dou E's Grievance” is a typical “Qingyi” character. This kind of character is supple and elegant; the singing skill is the most important technical point and the song itself is soft and beautiful. Mr Meilanfang increases international communication between China and other countries as the forerunner who spreads Beijing opera abroad. He has visited Japan in 1919, 1924 and 1956. In 1930, he visited America. He visited Russia in 1935 and 1952, which gained him a high reputation. During this period he knew many famous artists, singers, dancers, writers and painters. Because of his travels, there was an improved culture understanding in many countries. From that time forward, Beijing opera is listed into the dictionary of international drama. Mr Meilanfang is the symbol of Chinese acting art and holds with him our pride. 【這個口以么？】。
6.英文版的京劇簡介
Peking Opera
Peking Opera combines music, acrobatic dance, and spectacular costumes to tell stories from Chinese history and folklore. Using abstract, symbolic gestures rich in dramatic meaning, actors represent personages from the heroic, divine, and animal worlds, often in martial exploits. The traditional features of the masklike makeup and elaborate costumes immediately identify the characters to a knowing audience.
7.初二京劇英語介紹
Beijing opera or Peking opera (simplified Chinese： 京劇； traditional Chinese： 京劇； pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th * form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of * performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the * art form is also enjoyed in Taiwan, where it is known as Guoju （國劇； pinyin: Guójù）. It has also spread to other countries such as the United States and Japan。
8.英語高手們
Peking Opera has a 200-year-long history. Its main melodies originated from Xipi and Erhuang in Anhui and Hubei.
It is believed that Peking Opera gradually came into being after 1790 when the famous four Anhui opera troupes came to Beijing. Peking Opera underwent fast development during the reign of Emperor Qianlong and the notorious Empress Dowager Cixi under the imperial patron, eventually becoming more accessible to the common people.
In ancient times, Peking Opera was performed mostly on stage in the open air, teahouses or temple courtyards. Since the orchestra played loudly, the performers developed a piercing style of song that could be heard by everyone. The costumes were a garish collection of sharply contrasting colors to stand out on the dim stage illuminated only by oil lamps. Peking Opera is a harmonious combination of the Grand Opera, ballet and acrobatics, consisting of dance, dialogue, monologues, martial arts and mime.
The Peking Opera band mainly consists of an orchestra and percussion band. The former frequently accompanies peaceful scenes while the latter provides the right atmosphere for battle scenes. The commonly used percussion instruments include castanets, drums, bells and cymbals. One person usually plays the castanets and drum simultaneously, which conduct the entire band. The orchestral instruments include the Erhu, Huqin, Yueqin, Sheng (reed pipe), Pipa (lute) and other instruments. The band usually sits on the left side of the stage.
9.有關京劇的英語作文
Now let me say something about Beijing Opera. Beijing Opera is very popular in China. It has a history of more than 200 years. During the reign of the Qianlong emperor in the Qing dynasty, Qianlong had a interest in the local opera. In 1790, to celebrate his eightieth birthday, he summoned opera troupes from different places to perform for him in Beijing. Four famous troupes from Anhui province remained in Beijing after the celebration. In 1828, A Hubei troupe came to Beijing and often performed together with the Anhui troupes. The two types of singing mixed together and gradually a new type came into being known as Beijing Opera. Now is the performance. I hope you will like it。
轉載請注明出處華閱文章網 » 京劇介紹簡短英語簡單