華閱文章網淺品《文化苦旅》
書寫，書寫文化之苦旅。
描述，描述歷史之盛衰。
――題記
中國燦爛的文明正在被時光磨滅，不知在角落里邊回味心酸史邊唾罵歷史罪人的人們是否真曾閉一閉眼睛，平一平心跳，回歸于歷史的冷漠，理性的嚴峻。
我一直以來欣賞懂史且敢于評論批判歷史的學者，而也同時認為現任上海戲劇學院教授的余秋雨先生是無數學者中的豪杰，他的《文化苦旅》是萬千部文史學散文著作中最為出色的上品。
本書是余秋雨先生第一本文化散文集。
其中有些文章曾在各類文學評獎中奪得首獎。
全書的主調是憑借山水物以尋求文化靈魂和人生秘諦，探索中國文化的歷史命運和中國文人的歷史構成。
余秋雨先生依仗著淵博的文學和史學功底，豐厚的文化感悟力和藝術表現力所寫下的這些文章，不但揭示了中國文化巨大的內涵，而且也為當代散文領域提供了嶄新的范例。
余秋雨先生以他獨特的寫作魅力吸引著讀者，那是一種苦澀的回憶，焦灼后的會心，冥思后的放松，蒼老后的年輕。
他也曾在本書中像許多知青學者樣深情感嘆，但同樣的感嘆，出現在不同的地方，韻味也相差甚遠。
正如他所說的一樣“我也可以年輕”，他的人生是富有彈性的，他總是秉持著少年的激情，享受著老年的清閑度過他充實的中年時光，所以，余秋雨先生無論何時都是個混合體。
因此，他的文章，也永遠夾雜著不同感覺的口氣。
如他對中國文化日益淪陷喪失的悲傷感慨，就飽含了年輕人對不滿的辱罵，中年人對世事的無奈和老年人滄桑的惋惜。
也許有些的觀覽完全無心，但撰成此書的靈感源頭絕對是有意的。
很明顯，他發現了中國歷史文化的塵封點。
在如今這個弘揚我國絢爛文明的蓬勃時代提出這樣的悖論觀點，自然更引人注意深思。
中國古老的文明曾在古代創造過盛世，人們為了保留住曾經繁華便將絢爛的文化代代相傳，陸續建造了莫高窟，都江堰等大型建筑，就連普通的牌坊，藏書樓也印有文化的痕跡。
但人們的理想總是好的，而歲月卻是逆人而行，變故也是層出不窮的，人們再想保存下來的東西到了一定的極限還是會被時間沖走，雖然也有些是出于人為，但歸根結底，還是源于歷史的輪盤上的空白。
有些歷史塵埃的東西是留不住的，不少學者在哀傷的挽回，總痛心的活在不屬于他們的曾經，便永遠無法活著走出來。
因此，“正視過往與當下”，便是我從此書中悟出的一個當前重要的課題，我也同時認為這是余秋雨先生的研究與警世主題。
因為，只有能真正認清歷史風云的人才能在順應歷史車輪的基礎上印出自己的車轍印。
抽一枝柳條，折一只桃枝。
品一杯清茶，看一本好書。
走進余秋雨，走進《文化苦旅》。
翻譯：
Light goods "Cultural Journey"
Writing, writing culture Journey. Description, describes the vicissitudes of history.
- Inscription
The splendid Chinese civilization is eroded away by time, I do not know the history of the corner of the inside edge of sad recollection of the people reviled sinners in history really has closed a Bi Yanjing, Ping-Ping heart and return to the history of the cold, rational, serious. I always appreciate and understand the history of critical historical scholars dare to comment, but also that the Shanghai Drama Institute is currently Professor Yu Qiuyu the hero of numerous scholars, his "Cultural Journey" is the Department of History and Science of prose writings thousands of the most excellent top grade.
Yu Qiuyu book is the first collection of essays in this culture. Some of these articles have won awards in various literary first prize. With the main theme of the book is a cultural landscape in search of the soul and the matter secret meaning of life, to explore the fate of Chinese culture and Chinese history, the history of literary composition. Yu Qiuyu backing of profound literary and historical skills, rich cultural insights and artistic expression of these articles are written, not only reveals the enormous meaning of Chinese culture, but also for the field of contemporary prose provides a new paradigm.
Yu Qiuyu writing his unique charm to attract readers, it is a bitter memory, after anxious knowing, meditation, relaxation, after, after the old young. He was also in the book, like many educated youth scholars like soulful lament, but the same lament, in different places, flavor is also very different. As he said, like "I can young", and his life is flexible, he always uphold the passion of youth, enjoying the leisure to spend his old age, middle-aged full time, so no matter what Yu Qiuyu When is a hybrid. Thus, his article, and never mixed with the tone of different feelings. If he ever fall in Chinese culture feeling sad loss to the young people full of discontent abuse, middle-aged and elderly people on the things of the vicissitudes of helpless regret.
Perhaps some of the Ferris completely heartless, but the source of inspiration for the book Zhuancheng is absolutely intentional. Obviously, he found a point of Chinese history and culture of the dust. In this day and promote the flourishing of civilization gorgeous paradox of the era made such views, will naturally be more interesting food for thought. China's ancient civilization has created a prosperity in ancient times, people used to live downtown in order to preserve the culture put gorgeous generation to generation, gradually built the Mogao Grottoes, Dujiangyan and other large buildings, even the ordinary arch, library in Indian culture is also traces. However, people's ideal is always good, but it is against the person years of the line, misfortune is endless, people think of things to preserve, to a certain time limit or will be washed away, although some are for people, but In the final analysis, or from gaps in the wheel of history. Some things can not be kept dust of history, and many scholars to restore the sad, painful lives in total they have not, it will never come out alive. Therefore, the "face the past and present", that is, I realize from this book, a current important issue, and I also think this is a research and cautionary Yu Qiuyu topic. Because only history can truly understand the situation of the people who can adapt to the wheel of history in print on the basis of their rut and India.
Pumping a wicker, folding a peach branch. Cup of tea, reading a good book.
About Yu, into the "Cultural Journey."
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