華閱文章網1.對傳統服裝看法 英語作文
Assessing a decade of fashion so close in time is complex. In terms of costume history it's only after a trend has been around for several years can we acknowledge that it's more than a passing fad and deserves recognition in the archives of history. We each see what we ourselves wore as what was worn and typical of the era. The mood of society in the final decade of the last millennium was more defining than what was actually worn.。
2.有沒有介紹中國傳統服飾的英文文章
The Charm of Qipao,a Traditional Chinese Dress “Cool” to flourish in the new century, many minds are still filled with a deep sense of nostalgic feeling cheongsam and higher Duijin Chinese costume displays are good; from attachment to the soul of China Yi Yi, Relaxation of personality, taste and possession revealed that the people left unforgettable impression. Duijin Chinese costume craze come to an end, the layers of promoting people's fashion dream.A home refined elegance cheongsams store, capture the attention of pedestrians; When the light redeem Miss models were dressed in colorful Xiangzhu sergeant jade Ruanduan dresses, exciting looking. Age is the Manchu woman's dress, by the Qing immersed centuries, Chinese women have become the main specific era *er, from a variety of materials, in-kind, literature, it can be seen until the beginning of the 20th century, “flag or” dress is still very popular one of the fashionable dress. Flag equipped mainly by the gowns, jacket coat, skirts, pants, vest, and so on, while the Sleeveless dresses is the first long form of the vest. Then Clothes clemency dresses, waist straight, as long as adequate clothing, plus many inlaid rolling, because of the type of clothing line Implicit Body people will see a traditional-style cover America. In 1926, Duanao long vest with the merger, which is “cheongsam” prototype, and the cuff placed gowns decorated with lotus leaf lace; 1927 Hexiebian removed, the true colors are displayed in cheongsams. When Soong Ching Ling wearing his customary new improved silk dresses appeared in the national government Hankow parade reviewing stand. Almost overnight, new dresses it has taken sides. After this, the cheongsam fashion has been under a number of improvements. As a traditional dresses and special clothing products, the value of their cultural connotation of beauty, the aesthetic value of the unique beauty, make it since ancient times, in the vast river of Chinese civilization has a special and prominent position.100 years ago, the dresses, flowers of a century ago, after 100 years is still miraculous. In recent years, all kinds of cheongsam, I began to enter the unusual people. Dresses in the new structure retains the female chest, waist and hip Body prominent beautiful curves, detail respecting tradition, but also color, Tailoring, into the mix, a new flavor of the times. CAPITAL probably because of the historical and cultural background, seem to Chongqing on traditional Chinese cheongsam dress fond, especially *g dresses the girls both Chongqing city flavor, with classical female Xianchu Charm. Dresses, Chinoiserie, Oriental charm, its exquisite purity and refinement of a curve, curl graceful posture, his stunning. Fashion in great haste, only dresses charm lasts forever!。
3.中國民族服飾介紹 英文 好的送分
中國民族服飾：Chinese Ethnic Costumes Chinese Traditional Costumes of Past Dynasties 中國歷代傳統服飾 China, known as a" land of dresses",has a long history in the development of its clothing culture. Dresses in different periods reflect, to a certain extent, the situation of the politics, economy, military affairs, religions, and the civil customs of the specific historical stages. In the primitive society, people led a simple life in caves and generally worn nothing. In the Neolithic Age, the ancestors of the Chinese people were able to make tools. They invented bone needles and sewed primitive cloths. About 5,000 years ago, during the Yangshao Cultural Period, people lived a stable life and agriculture and textiles came into being. They raised silkworms and began to weave silk clothing which made people's clothing more perfect. After human kind entered the class society, clothing became the symbol of people's social statuses. During the Western Zhou Dynasty (1066-771B.C.), China virtually had a complete clothing system. From the Zhou Dynasty to the elimination of the feudal society in China, emperors, empresses, imperial concubines, princes, princesses, officials, and common people were attired in different *e clothing in the past dynasties can be roughly divided into the following categories: clothing of the remote times; that of the Shang and Zhou Dynasties; that of the Qin and Han Dynasties; that of the Wei, Jin, and Northern and Southern Dynasties; that of the Sui, Tang ,and the Five Dynasties; that of the Song Dynasty; that of the Liao, Jin, and Yuan Dynasties; that of the Ming Dynasty; that of the Qing Dynasty; and that of modern *es of Minority Groups of China 中國少數民族服侍 China is a country consisting of 56 ethnic nationalities, and each of them has its own clothing style with distinct ethnic characteristics, due to the influence of different culture, traditions, and geographical feature. On the other hand, they influenced and learned from one another in the way they dresses themselves as people of various ethnic lived together or * a result, the dresses of various ethic groups, like their culture, share something in common while they have their own ethnic, regional, and traditional features as well as traces of merge and transformation, forming a brilliant feature, colorful clothing culture of the Chinese. Roughly speaking, the loose gown and long robe worn by the people of the minority tribes in northern China are straightforward and the long skirt and pants worn by the people in southern China are made of fine workmanship. Due to the impact of the complicated geography and climate, the clothing of the minority nationalities in southern China is richer in variety and more colorful than that of the minority groups in the north. Dresses are the important symbols of the ethnic nationality identification and the blood lineage of China's minority groups. People usually are attired in special way on such occasions as festivals, wedding, religious, and funeral ceremonies, and other important activities. The change of clothing manifests an ethnic group's economic life, religious belief, world outlook, ideology, aesthetic consciousness, customs, and its course of *e Qipao Dress (Cheongsam) 旗袍中山裝 The Qipao dress dates back to the Ming and Qing Dynasties. Perfectly fitting the beautiful figure of Asia females, it is regarded as quintessence of China, reflecting the Chinese culture and arts. While the Qipao makes people's life more colorful with its national characteristics and strong happy colors and fashion designs, it possesses a lasting value itself.。
4.求一篇關于漢服文化的英語作文
Dress culture is introduced 服飾文化介紹 Hanfu clothing is the traditional clothing of the Han Chinese (Han -the predominant ethnic group of China). 漢服是中國漢民族傳統服飾。
It's the significant cultural symbol of Chinese civilization, and it has had a long history for nearly 4000 years since China originally began.她從中華文明開端時就已經存在，至今已有近4000 年的歷史。（當然如果你喜歡你可以說 成5000 ） However, it has been eliminated during the establishment of Qing Dynasty (the Manchu minority ruled dynasty) in about 300 years. The ruling class of Manchu banned Han Chinese clothing and replaced it with their own costume. This is why today's Chinese national costume was widely known as Qipao (Chi-Pao), a Manchu style of clothing. Our effort is to re-promote and advocate Hanfu to the public awareness. The main feature of Hanfu is wrapping the right side over before the * are casual wear and formal wear of it.漢服的主要特點是交領右衽，包含禮服和常服兩種。
For the casual wear such as Shenyi (Shen-Yee): a long full body garment; Ruqun (Zu-Chin): a top garment with a separate lower skirt, etc. Formal garments may include: Xuanduan (Shyan-Duan): a dark robe, this dress is mostly used in sacrificial ceremonies and state occasions; Yuan-Lin Shan: a closed, round collared robe, mostly used for official or academic occasions. Chinese civilization, also called "Hua-Xia" ("Hwa-Shia"). "Hua"("Hwa") means the beauty of the dress & decoration which is Hanfu clothing; "Xia"("Shia") is the grandeur of rites and social conduct.中華文明又被稱為 “ 華夏 ” ，華代表服飾之美，夏代表禮儀之大。Many East Asian national costumes, such as the Japanese Kimono, the Korean Hanbok still share the basic style with Hanfu, as historically these nations were largely influenced by (Han) Chinese culture. 東亞許多民族的傳統服飾，比如日本的和服、韓國的韓服，都是在漢服的基礎上發展而來。
Costume in the Han Dynasty 漢服 China's complete code of costume and trappings was established in the Han Dynasty (206BC-220AD). The yarn-dyeing, embroidering and metal-processing technologies developed rapidly in the period, s 中國完整的服裝服飾制度在漢朝確立的。漢代染織工藝、剌繡工藝和金屬工藝發展較快，推動了服裝裝飾的變化。
5.英語作文中國女人的傳統服裝80詞
*ygrandpa'sbirthday....,"Happybirthdaytoyou!".Weenjoyedourselves,.今天我玩得很愉快。
今天是爺爺的生日，我們全家去爺爺家為他慶祝生日。媽媽做了許多好吃的，我們買了一個大蛋糕。
我們舉行了一個大型家庭聚會。我們送給爺爺一些禮物，并說：“祝您生日快樂。”
下午我們去公園劃船。我們玩得很開心，爺爺過了一個愉快的生日。
...Afterwesaid"MerryChristmas",,suchasEdelweiss,andsoon.,suchasChristmasFather..Weallhadagoodtime.,wesaid"HappyNewYear"toeachother.昨天是圣誕節，我們在學校舉了圣誕晚會，我的許多朋友都來參加晚會。我們互道“圣誕快樂”后，開始唱圣誕歌，像“雪絨花”等。
然后我們講圣誕故事，如“圣誕老人”等，我們都玩得很開心。當晚會即將結束時，我們互祝“新年快樂”。
.....Sowesaid"HappyNewYear"toeachother..昨天是圣誕節，我和我的朋友過得很愉快。我們在學校舉了圣誕晚會。
我們唱了許多圣誕歌，講了一些圣誕故事。我們知道圣誕節后，新年即將來臨，所以我們互祝“新年快樂”。
我們下決心在即將來臨的一年中努力學習，以取得更大的進步。....Shesmiledandsaidtome,"What'sfourminusfour?Doyouknow?""It'*easy."answeredI."It'*'seight.""Why?That'simpossible!""."saidLiHong."Isthatajoke?""Oh,yes."*theclassbreak,wehadagoodrest..鈴一響，下課了。
教室里熱鬧起來，一些學生出了教室。當李紅向我走來時，我正和一些同學聊天。
她笑著對我說：“你知道4減4等于幾嗎？”我回答：“等于零，太簡單了。”但李紅播著頭說：“不對，是8。”
“為什么？不可能。”李紅說：“你砍掉桌予的4個角，就明白了。”
“這是笑話嗎？”“喚，是的。”我們都笑-了。
課間我們放松了。我們經常度過愉快的課間。
........Shejoinedus...鈴響了，下課了。許多同學從座位上跳了起來，教室變得熱鬧起來。
一些學生說著、笑著出了教室，兩個女孩坐在座位上唱歌。幾個男生正在大聲講笑話，他們一起笑著。
當李紅走向我時，我正和幾個同學聊天，她參加了進來。我們的課間休息充滿了樂趣和歡笑。
我們經常度過愉快的課間休息。....Aftersnow,.Whennightcomes,..WhenIhavetogoback,..寒假期間我經常去看望我的爺爺奶奶。
他們都已經70歲了，住在鄉下。我可以在那里做很多有趣的事情。
我習慣一大清早起床呼吸鄉下的新鮮空氣。下雪后，我喜歡跟同伴們一起滑雪滑冰。
夜幕降臨時，我就坐在火爐邊，聽奶奶講動聽的故事。我也會給她講一些城里的新鮮事。
每次該回城時，我總是戀戀不舍。我確實喜歡鄉下的生活。
....!,。
6.簡單介紹漢服的英語
漢服，即漢民族傳統服飾，，正式名稱為華夏衣冠，古又稱漢裝、華服、漢衣冠等。
漢服起源于華夏文明肇始的炎黃時代，定型于春秋戰國，漢民族在漢朝正式形成后遂有漢服之名。此后，歷朝歷代均有沿革，但其基本特點從未改變。
漢服大體上可分為周漢漢服、魏晉南北朝漢服、隋唐漢服、宋明漢服四個發展階段，周漢風格古樸凝重，魏晉風格瀟灑飄逸，隋唐風格雍容華貴， 宋明兩朝為漢服的集大成時代， 古樸、典雅、華貴、明快等多種風格并存，百花齊放，形成了蔚為大觀的漢服體系。滿清入關后，漢服在滿清政府“削發易服”的民族壓迫政策下被人為禁止。
此后，代表中國文化的正統華夏衣冠——漢服，從中華大地基本消失。 漢服的主要特點是交領右衽、隱扣束帶、寬袍大袖，不用扣子，而用繩帶系結，給人灑脫飄逸的印象，這些特點都明顯有別于其他民族的服飾。
漢服有禮服和常服之分，禮服制式嚴謹，為正式場合穿的服飾；常服一般去掉大袖，適合百姓日常起居。以衣冠（漢服）、禮儀（漢禮）為表征的中國，被鄰國評為衣冠之國、禮儀之邦。
漢服運動是旨在以復興漢民族傳統服飾為媒介，引導人們增強對傳統文化的關注和思考，尋回失落的華夏情節，由物質的漢服導向精神的文明，并最終實現傳統中華文化向現代轉型的社會文化復興運動。 “中國有服章之美謂之華，有禮儀之大謂之夏”，與華夏衣冠（漢服）相應的禮不是形式，而是民族歷史之積淀，民族之根脈，漢服之美更須禮儀之大的依托。
禮的卑己尊人、長幼有序、嚴密規范詮釋著華夏社會的理想，而莊重、純正、質樸的周禮更充分的發揮了禮的內涵。 漢服屬廣義的禮的范疇，通過禮儀的形式，指向華夏文明的內涵，因此漢服是禮與仁的統一。
TOP 作者：天風環佩/蒹葭從風/招福 說到傳統文化復興，幾乎所有的人都踴躍支持，然而說到漢服復興，卻總是眾說紛紜。為什么要復興？關于這一點，雖然口水很多，愛漢服的人也很多，可是真正了解的人卻并不多。
你如果不介意，我就慢慢從頭說起，從三千多年前說起。 首先，我們要弄明白什么是“華夏”。
我們都知道自己是華夏兒女，海外游子也因之稱為“海外華人”。然而，什么是“華夏”？ 語見《左傳》——“中國有禮儀之大，故稱夏；有服章之美，謂之華。”
對于“華夏”一詞究竟做何解，當然還有其它的觀點。然而在世人心中華夏民族與禮儀之大和服章之美密不可分，卻是毋庸置疑的。
由此可見衣冠服飾和禮儀制度、思想文化一樣，是中國傳統文化中不可分割的重要一環。中華古老的服飾文化絢麗多彩，與民族屬性息息相關。
中國也因此自古以來被尊稱為“衣冠上國”、“禮儀之邦”。 《易經 . 系辭》云：“黃帝堯舜垂衣裳而天下治，蓋取諸乾坤。”
也就是說，早在黃帝時代，古老華夏的服飾就已經相當有規模了。而且服飾形制取諸乾坤天地，意義就更不尋常。
到了周代，盡管現代意義上的漢族還沒形成，但華夏文明已經郁郁蔥蔥。 一個文明有了認同感就要確定出一系列標志性的東西，冠服制度就是其一。
我們很早就在服飾上重點作文章了，所以才能叫“衣冠上國”嘛。周時的服制規矩深深影響了后來三千多年的服裝理念，從此后無論服裝如何千變萬化，關鍵的要素始終都保持不變。
那就是：交領右衽、無扣結纓、褒衣大袖。 Han served, that is, the traditional costume of the Han nationality, formally known as the Chinese dressed, also known as the ancient Chinese equipment, and services to China and Chinese dressed, and so on. Han served in the origin of Chinese civilization Yanhuang beginning of the era, in the shape of the Spring and Autumn, an official of the Han nationality in the Han Dynasty was formed there in the name of serving the Han. Since then, the historical evolution of all ages, but never changed its basic characteristics. Han served on the whole service can be divided into the Han Zhou, Wei and Jin Han clothing, Sui, Tang and Han clothing, Han Song served four stages of development, Zhou style dignified simplicity, elegant chic style of the Wei, Jin, Sui and Tang dynasties Yongronghuagui style, Song and Ming Dynasties Han served as the master of the times, simple, elegant, Wah Kwai, crisp style and other co-exist, letting a hundred flowers bloom, the formation of the Han Weiweidaguan service system. Manqingruguan, Han served in the government of the Qing Dynasty, "Thinning easy to serve" the national policy of oppression under the prohibition of human being. Since then, representatives of the orthodox Chinese culture, Chinese dressed - Chinese clothes, disappeared from the land of China. The main features of Chinese clothing is to pay the right collar overlapping part of Chinese gown, the band deducted hidden, Kuanpao big sleeves, no buttons, and use string binding, giving the impression of free and easy flowing, the characteristics of these obviously are different from those of other ethnic costumes. Han and 。
7.求一篇英語作文our clothes
our clothes
Everyone has their own style. Different peopele have different opinion about clothes. I would liake to wear school uniform. Although school uniform is not so pretty,we still can not deny its advantage .Firstly,school uniform is very soft, which is very important to protect our skin. I do not want to wear some clothes fasion but uncomfortable. Secondly, it is also very * do not need to warry the metarl .Lastly, stand wher I from, fasion clothes is not good for our health .On the contary, school uniform is healthier and safer. B y the way, it it also a good way to keep our teamship
8.英語作文60字左右：關于穿著（就是穿衣服）的話題、就你而言,是以
loafers were popular in high school - shoes, not kids - penny-loafers, too. you younger folks will have to pardon us if we boomers scoff at walking shoes, running shoes, climbing shoes, hiking shoes, racquetball shoes, pump-up shoes。
and hundred dollar sports shoes. when we were kids, we had tennis shoes - black or white - period. they cost about $25, in today's terms. guys might wear a watch; and for a short while in junior high, id bracelets were popular for guys. but there were no chains or necklaces, gold or otherwise. pocket protectors? not used as widely as you might think. i'm no expert on this, but girls did not get their ears pierced as early. many of them never did. as i recall, they did not wear earrings to school. too dressy. a lot of girls confiscated their dad's long sleeved white shirts and wore them after school. permanent press came into existence in the late 60's. but i still remember ironing my shirts in college, permanent press or not. a little more on shoes: we wore shoes back then。 at least where i grew up. for us guys, there was not much choice: dress shoes and tennis shoes. dress shoes usually had laces. tennis shoes were black or white, usually white. there were no reeboks, no "walking shoes" - just tennis shoes. for females, there were flats, low heels, high heels, and tennis shoes。
. and penny loafers. a toe showing meant you needed a new pair of shoes. no boots; boots were for horse riding。. except when it snowed. when it rained。
we wore rubbers。 yep, that's what they were called; rubber "overalls" for shoes. in the winter, we wore boots; big boots over our shoes for guys. girls usually wore boot-shoes and carried their regular shoes。
i donno'。 somewhere, and then switched when they got where they were going. life was tough back then.。
9.介紹傳統蒙古族服裝用英語寫片作文
Chinese Cheongsam The cheongsam, or Qipao in Chinese, is evolved from a kind of ancient clothing of Manchu ethnic minority. In ancient times, it generally referred to long gowns worn by the people of Manchuria, Mongolia and the Eight-Banner. In the early years of the Qing Dynasty (1644-1911), long gowns featured collarless, narrow cuff in the shape of a horse's hoof, buttons down the left front, four slits and a fitting waist. Wearers usually coiled up their cuff, and put it down when hunting or battling to cover the back of hand. In winter, the cuff could serve to prevent cold. The gown had four slits, with one on the left, right, front and back, which reached the knees. It was fitted to the body and rather warm. Fastened with a waistband, the long gown could hold solid food and utensils when people went out hunting. Men's long gowns were mostly blue, gray or green; and women's, white. Another feature of Manchu cheongsam was that people generally wore it plus a waistcoat that was either with buttons down the front, a twisted front, or a front in the shape of lute, etc. When the early Manchu rulers came to China proper, they moved their capital to Beijing and cheongsam began to spread in the Central Plains. The Qing Dynasty unified China, and unified the nationwide costume as well. At that time, men wore a long gown and a mandarin jacket over the gown, while women wore cheongsam. Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with succeeding improvements, has become the traditional dress for Chinese women. Till the 1930s, Manchu people, no matter male or female, all wore loose-fitting and straight-bottomed broad-sleeved long gowns with a wide front. The lower hem of women's cheongsam reached the calves with embroidered flower patterns on it, while that of men's cheongsam reached the ankles and had no decorative patterns. From the 1930s, cheongsam almost became the uniform for women. Folk women, students, workers and highest-tone women all dressed themselves in cheongsam, which even became a formal suit for occasions of social intercourses or diplomatic activities. Later, cheongsam even spread to foreign countries and became the favorite of foreign females. After the 1940s, influenced by new fashion home and abroad, Manchu men's cheongsam was phased out, while women's cheongsam became narrow-sleeved and fitted to the waist and had a relatively loose hip part, and its lower hem reached the ankles. Then there emerge various forms of cheongsams we see today that emphasize color decoration and set off the beauty of the female shape. Why do Han people like to wear the cheongsam? The main reason is that it fits well the female Chinese figure, has simple lines and looks elegant. What's more, it is suitable for wearing in all seasons by old and young. The cheongsam can either be long or short, unlined or interlined, woolen or made of silk floss. Besides, with different materials, the cheongsam presents different styles. Cheongsams made of silk with patterns of flowerlet, plain lattices or thin lines demonstrate charm of femininity and staidness; those made of brocade are eye-catching and magnificent and suitable for occasions of greeting guests and attending banquets. When Chinese cheongsams were exhibited for sales in countries like Japan and France, they received warm welcome from local women, who did not hesitate to buy Chinese cheongsams especially those top-notch ones made of black velour interlined with or carved with golden flowers. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. It not only represents Chinese female costume but also becomes a symbol of the oriental traditional costume.。
10.中西方服飾文化差異 英語作文 急
China and the West have totally different dressing traditions and customs, although in recent years the they have been converging as a result of globalization and other factors. Some differences, especially cultural ones, have nontheless remained. For example, Chinese people like to wear red or other clothings that are bright and colourful, while in the west dark colors are considered more formal, serious and sometimes even "cooler".
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