華閱文章網1.英語作文,介紹唐裝的歷史,風格特色,50詞,初中水平的
Cheongsams their style gown by Manchu women from restructuring, it said. Is the beginning of the Republic of China Chinese women wear, long gown with a traditional style. Generally agreed that ethnic Manchu cheongsam dress is different from the "service flag", the modern cheongsam is a Chinese characteristics, to meet the West and adopt Western-style tailored aesthetic, and the rise in two decades on behalf of, on behalf of the fashion prevalent in three to four decades. Because of the large-scale epidemic cheongsams and propaganda films in recent years, many people, particularly those with little knowledge of history to the young people of the country cheongsams served as China`s view. The view is not correct. Cheongsam is a fashion, a witness of the era. 旗袍的樣式由滿族婦女的長袍改制而成，它說。
開始是民國時期中國婦女穿長衫，傳統風格。普遍認為，民族滿族旗袍禮服是從不同的“國旗”；服務；現代旗袍是一種中國特色，滿足西方審美并采用西式剪裁，并增加了二十年代，代表著時尚流行的三至四年。
由于旗袍的大范圍流行和宣傳電影，近年來，很多人，特別是那些對歷史了解甚少的國家的年輕人旗袍作為中國`觀。這種觀點是不正確的。
旗袍是一種時尚，一個時代的見證。
2.英語作文,介紹唐裝的歷史,風格特色,50詞,初中水平的
Cheongsams their style gown by Manchu women from restructuring, it said. Is the beginning of the Republic of China Chinese women wear, long gown with a traditional style. Generally agreed that ethnic Manchu cheongsam dress is different from the "service flag", the modern cheongsam is a Chinese characteristics, to meet the West and adopt Western-style tailored aesthetic, and the rise in two decades on behalf of, on behalf of the fashion prevalent in three to four decades. Because of the large-scale epidemic cheongsams and propaganda films in recent years, many people, particularly those with little knowledge of history to the young people of the country cheongsams served as China`s view. The view is not correct. Cheongsam is a fashion, a witness of the era. 旗袍的樣式由滿族婦女的長袍改制而成，它說。
開始是民國時期中國婦女穿長衫，傳統風格。普遍認為，民族滿族旗袍禮服是從不同的“國旗”；服務；現代旗袍是一種中國特色，滿足西方審美并采用西式剪裁，并增加了二十年代，代表著時尚流行的三至四年。
由于旗袍的大范圍流行和宣傳電影，近年來，很多人，特別是那些對歷史了解甚少的國家的年輕人旗袍作為中國`觀。這種觀點是不正確的。
旗袍是一種時尚，一個時代的見證。
3.誰知道關于中國唐裝的英文介紹
Ancient Chinese Clothing (Chinese Traditional Style Dress) In ancient society people lived in crude caves, naked. During the New Stone Age they invented bone needle and began to sew simple winter dress with leaves and animal skins. With the development of the society, people were engaged in agriculture and they started to spin and weave, even sewed coats with linen. In the class society, dress became the token of social status. It was from the Xia and Shang Dynasties that dress system came into being in China. In the Zhou Dynasty, the system was perfected. From then on the distinctions as to color, design and adornment of dress were strictly made among the emperor, officials and the common people. China is a multi-national country. Each nation has a traditional culture of its own. The mutual support and inspiration among different nationals made Chinese dress more plentiful and * the Sui and Tang Dynasties, the economy boomed and people led a quiet life. People from different countries gathered in Changan and Luoyang to promote the international cultural exchange. Particularly the culture of middle Asia deeply influenced Chinese dress system. On the other hand the ideology also directly influenced dress and adornment. During the Warring States period, many vassal states were competing with each other, hence the patterns of dress and adornment became diversified. During the Sui and Tang, the unity of ancient China and the prosperity of economy brought about new thoughts, and the dress became splendid, particularly the decolIetage appeared. Because of the intensity of the feudal ideology, the patterns of dress and adornment gradually became conservative from the Song and Ming Dynasties. Influenced by western cultures, the designs were more fitting and tasteful from late * patterns of ancient dress were classified into two groups:"coat-and-skirt" and "one- piece". "Coat-and-skirt" were mainly worn by women and "one-piece" by men. Stringent rules are made for the color of ancient dress and adornment. Yellow is the most valuable color as a symbol of center. Green, red, white and black symbolize the East, the South, the West and the North respectively. Green, red, black, white and yellow are pure colors applied by the emperors and officials. The common people could only apply the secondary colors. With the development of the society, the colors of the dress, which are more harmonious and form a partial contrast, replace that of remote ages, which was very simple. These changes make the dress and adornment * geometrical patterns, the pictures of animals and plants were widely adopted on ancient dress and adornments. Before Shang and Zhou, the patterns were primitive, succinct and abstract. After Zhou the patterns became much neater. The compositions were balanced and symmetric. During the Tang and Song more attentions were paid to the compositions. From the Ming and Qing Dynasties most of the patterns were realistic, and the flowers, animals and mountains-and-waters were all really true to * articles of clothing of past dynasties are one chapter of Chinese long history and culture. They are not only the reflection of the politics and economy of a given society, but also the great contributions for world civilization. An outstanding characteristic of traditional Chinese clothing is not only an external expression of elegance, but also an internal symbolism. Each and every piece of traditional clothing communicates a vitality of its own. This combination of external form with internal symbolism is clearly exemplified in the pair of fighting pheasant feathers used in head wear originating in the battle wear of the Warring States period (475-221 B.C.). Two feathers of a ho bird (a type pheasant good at fighting) were inserted into the head wear of warriors of this period to symbolize a bold and warlike *ological findings of 18,000 year-old artifacts such as bone sewing needles and stone beads and shells with holes bored in them attest to the existence of ornamentation and of sewing extremely early in Chinese civilization. Variety and consistency in clothing were roughly established by the era of the Yellow Emperor and the Emperors Yao and Shun (about 4,500 years ago). Remains of woven silk and hemp articles and ancient ceramic figures further demonstrate the sophistication and refinement of clothing in the Shang Dynasty (16th to 11th century B.C.).The three main types of traditional Chinese clothing are the pien-fu, the ch'ang-p'ao, and the shen-i. The pien-fu is an 。
4.有誰知道有關中國唐裝的英語介紹啊
1.唐裝代表了中國古老的文化，是國內外交流的一個平臺可翻譯為“The Chinese costumes represented Chinese ancient culture, is a terrace of[with] domestic and international exchanges”2.作為中國的傳統服裝，具有自己獨特的魅力，相對于西裝外觀挺括、線條流暢，穿著舒適，并且配上領帶或領結更顯得瀟灑大方的特點，唐裝的局部自然垂展，不加任何雕飾，整件衣裳全憑穿著者的風骨和氣度撐著。
而且穿著中裝非常舒適。印花面料、小立領、中間扣的樣式是唐裝的典型模式。
Is a Chinese traditional clothing, have own special magic power, opposite in western dress external appearance stand 括 ， lines flowing freely, dress comfort, and go together with to seem to be a natural and unrestrained and generous characteristics more up the tie or the bow tie, Chinese costumes of partial nature hang an exhibition, don't add any 雕 decoration, all of the whole clothes with wear an authorial character friendly degree to * pack in the dress very * stamp-tax noodles anticipates, small sign to get and button up in the center of the style is the typical model mode of Chinese costumes.3.唐裝再度在神州大地流行，這意味著唐裝文化幾千年鑄就的奇詭魔魅，終要重放異彩，還意味著中華民族文化復興的一種征兆。唐裝作為一種流行時尚可能是一時的，但其包涵的民族意識的覺醒，中華民族文化的自我認同，則是長久的。
一個民族的衣飾特色，滲透著一個民族深厚的文化底蘊；一段輝煌歷史的精練縮影，今人于中得見東方文化的悠悠神韻。真正的古典，更多的是一種資源，一種精神，一種文化的蘇醒，一種懷舊情緒的放任。
我們追憶過去，不是要回到過去，而是要讓逝去的美重新生長，生活亦有前提，那就是時代的土壤，正是古典與現代的共謀，成就了今日唐裝遍地開花的輝煌場景。The Chinese costumes once more spreads at the absolute being state the earth, this strange 詭 evil evil spirit that means the Chinese costumes cultural casts into for several thousand years, want eventually heavy put strange burst of color, also mean a kind of omen of Chinese nation cultural *e costumes conduct and actions a kind of fad vogue may be a fit of, but it forgives of the race realize of awakening, the ego of the Chinese nation culture approbation, then last * clothing special features of a race, permeate a cultural bottom 蘊 with deep race;The 精 of a brilliancy history practices to miniatured, now person in in have to see the long poetic charm of oriental * classic, more is a kind of resources, a kind of spirit, a kind of waking up of culture, a kind of keep in mind old motion of * recall to pass by, don't return to pass by, but want to let to pass away of the United States re- grows, living to also have a premise, that is the soil of ages, is exactly classic and modern of collusion, achieve today Chinese costumes all over the place bloom of glorious field view.。
5.誰知道關于中國唐裝的英文介紹
Ancient Chinese Clothing (Chinese Traditional Style Dress) In ancient society people lived in crude caves, naked. During the New Stone Age they invented bone needle and began to sew simple winter dress with leaves and animal skins. With the development of the society, people were engaged in agriculture and they started to spin and weave, even sewed coats with linen. In the class society, dress became the token of social status. It was from the Xia and Shang Dynasties that dress system came into being in China. In the Zhou Dynasty, the system was perfected. From then on the distinctions as to color, design and adornment of dress were strictly made among the emperor, officials and the common people. China is a multi-national country. Each nation has a traditional culture of its own. The mutual support and inspiration among different nationals made Chinese dress more plentiful and * the Sui and Tang Dynasties, the economy boomed and people led a quiet life. People from different countries gathered in Changan and Luoyang to promote the international cultural exchange. Particularly the culture of middle Asia deeply influenced Chinese dress system. On the other hand the ideology also directly influenced dress and adornment. During the Warring States period, many vassal states were competing with each other, hence the patterns of dress and adornment became diversified. During the Sui and Tang, the unity of ancient China and the prosperity of economy brought about new thoughts, and the dress became splendid, particularly the decolIetage appeared. Because of the intensity of the feudal ideology, the patterns of dress and adornment gradually became conservative from the Song and Ming Dynasties. Influenced by western cultures, the designs were more fitting and tasteful from late * patterns of ancient dress were classified into two groups:"coat-and-skirt" and "one- piece". "Coat-and-skirt" were mainly worn by women and "one-piece" by men. Stringent rules are made for the color of ancient dress and adornment. Yellow is the most valuable color as a symbol of center. Green, red, white and black symbolize the East, the South, the West and the North respectively. Green, red, black, white and yellow are pure colors applied by the emperors and officials. The common people could only apply the secondary colors. With the development of the society, the colors of the dress, which are more harmonious and form a partial contrast, replace that of remote ages, which was very simple. These changes make the dress and adornment * geometrical patterns, the pictures of animals and plants were widely adopted on ancient dress and adornments. Before Shang and Zhou, the patterns were primitive, succinct and abstract. After Zhou the patterns became much neater. The compositions were balanced and symmetric. During the Tang and Song more attentions were paid to the compositions. From the Ming and Qing Dynasties most of the patterns were realistic, and the flowers, animals and mountains-and-waters were all really true to * articles of clothing of past dynasties are one chapter of Chinese long history and culture. They are not only the reflection of the politics and economy of a given society, but also the great contributions for world civilization. An outstanding characteristic of traditional Chinese clothing is not only an external expression of elegance, but also an internal symbolism. Each and every piece of traditional clothing communicates a vitality of its own. This combination of external form with internal symbolism is clearly exemplified in the pair of fighting pheasant feathers used in head wear originating in the battle wear of the Warring States period (475-221 B.C.). Two feathers of a ho bird (a type pheasant good at fighting) were inserted into the head wear of warriors of this period to symbolize a bold and warlike *ological findings of 18,000 year-old artifacts such as bone sewing needles and stone beads and shells with holes bored in them attest to the existence of ornamentation and of sewing extremely early in Chinese civilization. Variety and consistency in clothing were roughly established by the era of the Yellow Emperor and the Emperors Yao and Shun (about 4,500 years ago). Remains of woven silk and hemp articles and ancient ceramic figures further demonstrate the sophistication and refinement of clothing in the Shang Dynasty (16th to 11th century B.C.).The three main types of traditional Chinese clothing are the pien-fu, the ch'ang-p'ao, and the shen-i. The pien-fu is an ancie。
6.關于唐裝的英語介紹還有答案嗎
Mid-Autumn Festival, the traditional Chinese festival costumes in the moment of twists and turns, with the magnificent Chinese costume, the noble and elegant aura. embellished with traditional festivals have become an essential element. What fascinated by history. Chinese costume seems to have an innate nostalgic, like walking on the roads in the 1930s and 1940s Shanghai girl walking shape. elegant, simple. For this reason, there is a strange Chinese costume pretty and flirtatious. It is concise and leisure, inadvertently remind you in a lull, the pace of life is rich, In actuality, kind of a love-hate relationship with him so that urban young things. Now popular on the market have emerged from traditional Chinese costume stereotypes and inject more fashionable element. The entire piece of cloth independence posed by the Chinese costume, it's the fabric, instead of silk, Ruanduan, velvet, tapestry satin. Instead of using cotton, Ma, chemical fiber, Lycra, denim and other fabrics, traditional Chinese clothes more adaptability. Models, we should pay attention to the neckline, buttons, Menjin, BRANCHING, swings and other details of the meeting, while pants and skirts embroidered in the edge trim fringetree. Reinforced minority positions, auspicious motifs, floral, Chinese characters, language and peonies, United Bamboo top of aesthetic taste. Chinese costume made of batik cloth with the Yunnan is a major trend. （中秋，中國傳統節日，服裝在此時也峰回路轉，唐裝以其華麗、典雅的高貴氣質，也成了點綴傳統節日必不可少的元素之一。
歷史令人迷戀。唐裝，似乎就具天生的懷舊，仿如上世紀三四十年代馬路上散步的上海小姐，走動的模樣，雅致、簡約。
正因如此，唐裝就有異樣的妖艷。它簡潔而悠閑，在不經意地提醒你一種清閑、富裕的生活節奏，那種讓都市年輕人在骨子里又愛又恨的東西。
如今市場上流行的唐裝已擺脫傳統刻板印象，注入更多時尚元素。唐裝從上到下由獨塊衣料構成，它的的面料，不再限于真絲、軟緞、絲絨、織錦緞，而是廣泛采用棉、麻、化纖、萊卡、牛仔布等面料，令唐裝更具適應性。
款式上，注重領口、鈕扣、門襟、開叉、下擺等細節的把握，在褲邊裙邊繡花，在邊緣處鑲邊、流蘇，再配上少數民族的繡片、吉祥的圖案、團花、漢字、龍鳳、牡丹、梅竹，更添雅趣。用云南的蠟染布制成的唐裝也是一大潮流。）
不知道你要多大難度的，希望你滿意。
7.有誰知道有關中國唐裝的英語介紹啊
1.唐裝代表了中國古老的文化，是國內外交流的一個平臺可翻譯為“The Chinese costumes represented Chinese ancient culture, is a terrace of[with] domestic and international exchanges”2.作為中國的傳統服裝，具有自己獨特的魅力，相對于西裝外觀挺括、線條流暢，穿著舒適，并且配上領帶或領結更顯得瀟灑大方的特點，唐裝的局部自然垂展，不加任何雕飾，整件衣裳全憑穿著者的風骨和氣度撐著。
而且穿著中裝非常舒適。印花面料、小立領、中間扣的樣式是唐裝的典型模式。
Is a Chinese traditional clothing, have own special magic power, opposite in western dress external appearance stand 括 ， lines flowing freely, dress comfort, and go together with to seem to be a natural and unrestrained and generous characteristics more up the tie or the bow tie, Chinese costumes of partial nature hang an exhibition, don't add any 雕 decoration, all of the whole clothes with wear an authorial character friendly degree to * pack in the dress very * stamp-tax noodles anticipates, small sign to get and button up in the center of the style is the typical model mode of Chinese costumes.3.唐裝再度在神州大地流行，這意味著唐裝文化幾千年鑄就的奇詭魔魅，終要重放異彩，還意味著中華民族文化復興的一種征兆。唐裝作為一種流行時尚可能是一時的，但其包涵的民族意識的覺醒，中華民族文化的自我認同，則是長久的。
一個民族的衣飾特色，滲透著一個民族深厚的文化底蘊；一段輝煌歷史的精練縮影，今人于中得見東方文化的悠悠神韻。真正的古典，更多的是一種資源，一種精神，一種文化的蘇醒，一種懷舊情緒的放任。
我們追憶過去，不是要回到過去，而是要讓逝去的美重新生長，生活亦有前提，那就是時代的土壤，正是古典與現代的共謀，成就了今日唐裝遍地開花的輝煌場景。The Chinese costumes once more spreads at the absolute being state the earth, this strange 詭 evil evil spirit that means the Chinese costumes cultural casts into for several thousand years, want eventually heavy put strange burst of color, also mean a kind of omen of Chinese nation cultural *e costumes conduct and actions a kind of fad vogue may be a fit of, but it forgives of the race realize of awakening, the ego of the Chinese nation culture approbation, then last * clothing special features of a race, permeate a cultural bottom 蘊 with deep race;The 精 of a brilliancy history practices to miniatured, now person in in have to see the long poetic charm of oriental * classic, more is a kind of resources, a kind of spirit, a kind of waking up of culture, a kind of keep in mind old motion of * recall to pass by, don't return to pass by, but want to let to pass away of the United States re- grows, living to also have a premise, that is the soil of ages, is exactly classic and modern of collusion, achieve today Chinese costumes all over the place bloom of glorious field view.。
8.關于唐裝的英語介紹還有答案嗎
Mid-Autumn Festival, the traditional Chinese festival costumes in the moment of twists and turns, with the magnificent Chinese costume, the noble and elegant aura. embellished with traditional festivals have become an essential element. What fascinated by history. Chinese costume seems to have an innate nostalgic, like walking on the roads in the 1930s and 1940s Shanghai girl walking shape. elegant, simple. For this reason, there is a strange Chinese costume pretty and flirtatious. It is concise and leisure, inadvertently remind you in a lull, the pace of life is rich, In actuality, kind of a love-hate relationship with him so that urban young things. Now popular on the market have emerged from traditional Chinese costume stereotypes and inject more fashionable element. The entire piece of cloth independence posed by the Chinese costume, it's the fabric, instead of silk, Ruanduan, velvet, tapestry satin. Instead of using cotton, Ma, chemical fiber, Lycra, denim and other fabrics, traditional Chinese clothes more adaptability. Models, we should pay attention to the neckline, buttons, Menjin, BRANCHING, swings and other details of the meeting, while pants and skirts embroidered in the edge trim fringetree. Reinforced minority positions, auspicious motifs, floral, Chinese characters, language and peonies, United Bamboo top of aesthetic taste. Chinese costume made of batik cloth with the Yunnan is a major trend.
（中秋，中國傳統節日，服裝在此時也峰回路轉，唐裝以其華麗、典雅的高貴氣質，也成了點綴傳統節日必不可少的元素之一。 歷史令人迷戀。唐裝，似乎就具天生的懷舊，仿如上世紀三四十年代馬路上散步的上海小姐，走動的模樣，雅致、簡約。正因如此，唐裝就有異樣的妖艷。它簡潔而悠閑，在不經意地提醒你一種清閑、富裕的生活節奏，那種讓都市年輕人在骨子里又愛又恨的東西。 如今市場上流行的唐裝已擺脫傳統刻板印象，注入更多時尚元素。唐裝從上到下由獨塊衣料構成，它的的面料，不再限于真絲、軟緞、絲絨、織錦緞，而是廣泛采用棉、麻、化纖、萊卡、牛仔布等面料，令唐裝更具適應性。款式上，注重領口、鈕扣、門襟、開叉、下擺等細節的把握，在褲邊裙邊繡花，在邊緣處鑲邊、流蘇，再配上少數民族的繡片、吉祥的圖案、團花、漢字、龍鳳、牡丹、梅竹，更添雅趣。用云南的蠟染布制成的唐裝也是一大潮流。）
不知道你要多大難度的，希望你滿意！