華閱文章網1.宋詞譯英文.宋詞譯英文.意譯其心境.不必押韻.謝謝.鵲橋仙（宋） 愛問
這是江紹倫譯的版本： Clouds float creating wonders like artist feats Stars' fleeting regret repeats Across the Milky Way the Cowherd Star silently goes to his annual retreat A single moment together amid golden breeze and jade dew Can eclipse all human affections in multiple heat Their love flows tenderly as water This happy date seems but a dream They had to leave the Magpie Bridge to go each their own way When lovers promise to love forever Need they measure togetherness by hours and day。
2.宋詞的翻譯,急
Water days, the fog crept yuntao cage. Galaxy, sails to turn riding the wave passed quickly. Dreams banished like to invite good, emperor message. Ask: please return where hospitality.
I return journey long emperor said: ah, sigh, don't throw. Learn to do good words, the man who is wasted. Nine miles across, and reacheth to fly ZhengGao roc. The wind! Don't stop, the leaf, boats to penglai three islands.
這個翻譯成中文又成了：
水的日子，霧悄悄地云濤籠子。銀河、帆轉騎波很快地過去了。夢想被邀請好，皇帝的訊息。問：請將在酒店。
我旅程漫長的皇帝說：啊，嘆息，別丟了。17學習行善的話，該名男子被浪費掉了。9英里寬，飛ZhengGao中華民國。風！不要停止，葉子、船蓬萊三島。
呵呵，其實中文是很高深的文字，特別是古文字，LZ要翻譯古詞，這是強人所難的啊~ The snow in spring, letter to known
Cold plum QiongZhi ornament.
Sweet face half-open charming landscape,
Serving the people, XinZhuang wash bath of jade.
Nature may be partial to,
So to teach the moon and exquisite.
Total bounty zun sink, resigned drunk green ant, the flower not to spend more than.
Early on, rice when slag floating like ants. 李清照《漁家傲》
雪里已知春信至，
寒梅點綴瓊枝膩。
香臉半開嬌旖旎，
當庭際，玉人浴出新妝洗。
造化可能偏有意，
故教明月玲瓏地。
共賞金樽沉綠蟻，
莫辭醉，此花不與群花比。
米酒初熟時，上有渣浮如蟻。
是哪篇？
上片開頭兩句，描繪了一幅遼闊壯美的海天相接圖。其中“接”“連”兩字將“天”、“云濤”、“曉霧”組成的壯闊畫面寫動，寫活。“星河”“轉”和“千帆”“舞”將乘船人在船上的感覺逼真的傳遞給讀者。這里的“舞”和“轉”是因果關系，也就是說，由于船在舞，所以覺得星河在轉。船搖帆舞，星河欲轉，既富于生活的真實感，也符合詩人夢境的特點，虛實結合。“仿佛”以下三句，寫詞人夢見天帝，天帝態度溫和地問：“你要到哪兒去呀？” 看似很平常的一句問話，卻飽含詞人深厚的感情和美好的理想。這是多么仁厚的帝王呀！他是這樣關心一個陌生的路人。聯想那位置人民于水火、畏敵如虎狼、只顧自己一路奔逃的宋高宗，讀者不難理解到這一點。
下片開頭寫詞人的回答，其中“我報路長嗟日暮”的“報”字與上片的“問”呼應，是跨越兩片的橋梁。“路長”、“日暮”是詞人晚年孤獨無依的痛苦經歷，同時也是化用了《史記·伍子胥列傳》中的“吾日暮途窮遠”和屈原《離騷》中的“路漫漫其修遠兮”。詞人在這里取“路長”、“日暮”意在顯露“上下求索”的意念和過程，與后面“學詩謾有驚人句”相連，傾訴的是詞人空有才華而遭逢不幸的苦悶。結尾處詞人寫 “九萬里風鵬正舉”，又是緊接上片乘船渡海的動作和四周海天相接的景像，化用《莊子·逍遙游》里的句子，進一步對風進行烘托描繪，境界更加宏闊。在大鵬高舉的時刻，詞人又大喝一聲：“風休住，蓬舟吹取三山去！”可謂是豪氣沖天，一往無前。
3.宋詞英文版的書
這首《卜算子》以“詠梅”為題，作者是以梅花自喻。
“寂寞開無主”這一句，詞人將自己的感情傾注在客觀景物之中，首句是景語，這句已是情語了。日落黃昏，暮色朦朧，這孑然一身、無人過問的梅花，何以承受這凄涼呢？它只有“愁”—— 而且是“獨自愁”，這與上句的“寂寞”相呼應。
驛外斷橋、暮色、黃昏，本已寂寞愁苦不堪，但更添凄風冷雨，孤苦之情更深一層。“更著”這兩個字力重千鈞，前三句似將梅花困苦處境描寫已至其但二句“更著風和雨”似一記重錘將前面的“極限”打得崩潰。
這種愁苦仿佛無人能承受， 至此感情渲染已達高潮，然而盡管環境是如此冷峻，它還是“開”了！上闋四句，只言梅花處境惡劣、于梅花只作一“開”字，但是其倔強、頑強已不言自明。 上闋集中寫了梅花的困難處境， 它也的確還有 “ 愁”。
從藝術手法說，用環境、時光和自然現象來烘托。上闋四句可說是“情景雙繪”。
讓讀者化一系列景物中感受到作者的特定環境下的心緒—— 愁！也讓讀者逐漸踏入作者的心境。 下闋，托梅寄志。
從側面諷刺了群芳。暗含著作者的不幸遭遇揭露了茍且偷安的那些人的無恥行徑。
說“爭春”，是暗喻人事； “ 妒”，則非草木所能有。這兩句表現出陸游性格孤高，決不與爭寵邀媚、阿諛逢迎之徒為伍的品格和不畏讒毀、堅貞自守的崚.傲骨。
最后幾句，把梅花的“獨標高格”，再推進一層： 前句承上闋的寂寞無主、黃昏日落、風雨交侵等凄慘境遇。這句七個字四次頓挫：“ 零落”， 不堪雨驟風狂的摧殘，梅花紛紛凋落了，這是第一層。
落花委地，與泥水混雜，不辯何者是花，何者是泥了，這是第二層。從“碾”字，顯示出摧殘者的無情，被摧殘者的凄慘境遇，這是第三層。
結果梅花被摧殘、被踐踏而化作灰塵了。這是第四層。
看，梅花的命運有多么悲慘，簡直不堪入目令人不敢去想像。讀者在此時已融入了字里行間所透露出的情感中。
但作者的目的決不是單為寫梅花的悲慘遭遇，引起人們的同情；從寫作手法上來說，仍是鋪墊，是蓄勢，是為了把下句的詞意推上最高峰。雖說梅花凋落了，被踐踏成泥土了，它那“別有韻致”的香味，卻永遠“如故”，仍然不屈服于寂寞無主、風雨交侵的威脅. 末句具有扛鼎之力，它振起全篇，把前面梅花的不幸處境，風雨侵凌，凋殘零落，成泥作的凄涼、衰颯、悲戚，一股腦兒拋到九霄云外去了。
此詞十分成功地運用比興手法作者以梅花自喻，以梅花的自然代謝來形容自己。此時，已將梅花人格化。
“詠梅”，實為表白自己的思想感情，給我們留下了十分深刻的印象，成為一首詠梅的杰作。 英文翻譯 This is the first of the BU operator "to" a few "as its theme, the author is self-evident to Plum. "Lonely orphan" this sentence, CI will own feelings into the scenery in objective, the first sentence is King, it was love language. Sunset twilight, Twilight haze, which alone, unchallenged by Phillips, why take this dreary? it only the "sad" and "sorrows" and the "lonely on the sentence." Post external bridge, Twilight, Twilight, the lonely melancholy, but more the chill wind blowing, the loneliness of a deeper level. "The more the" two words force heavy supremely, the first three sentences might be the situation described is plum blossom hardship to it but the second sentence "even the wind and rain," like a hammer to the front of the "limit" to crash. This sorrow as if no one can afford, so emotional rendering has reached a climax, but despite the environment is so cold that it still "open"! sentences, on concerns only the situation worse, says Phillips at Phillips only for an "open", but its stubborn and tenacious is self-evident. Regarding the focus on wrote the difficult situation of plum blossom, it does have the "melancholy". From the artistic means that use of the environment, time and natural phenomena to contrast. Four sentence on an awful lot can be said to be "situational double painted". Let the readers of a series of scenes in feel the author's specific environment mood — worry! also let readers gradually into the author's State of mind. The following songs, Tome send Chi. From the side ironic shape. Implies the author's misfortune to expose a muddle of those shameless acts. The "falls" is a metaphor of personnel; "envy", the non-vegetation can have. These two lines show the solitary Lu you's personality and high, and never sees invited Mei, flattering of company's character and not slander, staunch Automorphic of shaped white. pride. Last words, Phillips of "independence", then the elevation that promote a layer: front line bearing on an awful lot of lonely orphan, sunset, and rain turn penetrating and so miserable situation. This is the fourth of seven words: "full of disappointments, sudden rain" from the ravages of wind maniac, Phillips have litters, the first layer. I appointed, and slurry, don't argue what is flower, which 。
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