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          布魯斯簡短英語介紹

          1.簡單介紹一下美國著名喜劇演員艾伯特布魯斯英語作文

          Albert - Brooks was born in California, his mother had been a singer and actor, his father was a radio comedian. Albert - Brooks himself had been a film and television actor, voice actor, writer, comedian and director. In 1987, when Albert - Brooks with "Broadcast News" (Broadcast News) to get an Oscar nomination. Albert - Brooks's debut as an comedian, once a year at the University of Pittsburgh, but dropped out a year just to concentrate on reading when comedian. After dropping out of school, he was very successful in a number of talk show has its own fixed link performance. As a comedian, he was undoubtedly the greatest achievement of the six episodes directed by "Saturday Night Live" (Saturday Night Live). In 1976, he starred in his first mainstream film, just this film is Martin - Scorsese (Martin Scorsese) milestone "Taxi Driver" (Taxi Driver). In 1979, Albert - Brooks film "Real Life" (Real Life) at the same time to win an Oscar and the Nobel Prize. Albert - Brooks recent works include "desperate driving" (Drive) in the gangster, he plays the role of media praise, and he also got a Best Supporting Actress nomination.。

          2.求一篇介紹布魯斯口琴的英文短文,要有中文翻譯的

          The origins of blues harp in the South remain obscure in spite of all the musicological research that has been done with blues. W.C. Handy recalled hearing train imitations played on the harmonica as early as the the 1870's, and this was a likely sources of blues harp. The discovery that the notes could be lowered in pitch by changing the pressure exerted on reeds was probably an accidental one, but nonetheless the 'blue" notes of the African vocal scale and the moans and cries of the field holler had been successfully reproduced on a new instrument. By the 1920's, when recording companies began to go down south looking for blues acts following the succes of Mamie Smith' Crazy Blues in 1920, blues harp was a common sound in the South.這是節選的一段,不知道合不合你意翻譯的話用個翻譯器,自己串一下應該就可以把大一搞清楚了我把全文粘在下面The story of the harmonica begins with the Chinese Emperor Nyn-Kwya, who in 3000 B. C. invented a free-reed instrument called the "sheng' (sublime voice) which is considered the forerunner of the modern * sheng was brought to Europe in the 18th Century, where the idea of the free-reed principle was used in the creation of the reed organ, the accordion, the concertina, the saxophone, and the * modern harmonica was invented in 1821 by a German clockmaker named Christian Buschman who put fifteen pitch pipes together to create an odd little instrument. At first harmonicas were produced by clockmakers as a sideline, but in 1857 Matthias Hohner decided to manufacture them on a large scale and went into production in Trossingen, * harmonica spread all over Germany, and with the mass emigration of Germans in the latter half of the nineteenth century, all over the world. By the time of the American Civil War, the harmonica was well established in the United States and many soldiers on both sides played them. At first the repertory in this country for harmonica consisted of folksongs, fiddle tunes, marches, hymns and the like, but somewhere along the way it was taken up by the black man, and its potential as a blues instrument came to * origins of blues harp in the South remain obscure in spite of all the musicological research that has been done with blues. W.C. Handy recalled hearing train imitations played on the harmonica as early as the the 1870's, and this was a likely sources of blues harp. The discovery that the notes could be lowered in pitch by changing the pressure exerted on reeds was probably an accidental one, but nonetheless the 'blue" notes of the African vocal scale and the moans and cries of the field holler had been successfully reproduced on a new instrument. By the 1920's, when recording companies began to go down south looking for blues acts following the succes of Mamie Smith' Crazy Blues in 1920, blues harp was a common sound in the * World War II there was a large shifting of the black population from the rural south to the urban north, especially Chicago. Starting from the late thirties, four giants of blues harmonica recorded and performed in Chicago: Sonny Boy Willianson, Little Walter Jacobs, Big Walter Horton and Rice (Sonny Boy Williamson II) *er these men created the sound of the Chicago-style blues harmonica with its various moods and voices and sounds, ranging from eerie howls and raucous yells to whispers and sighs. It was a compelling sound, demanding and getting instant attention.A second generation of harpmen, consisting of Junior Wells, James Cotton, Paul Butterfield, Charlie Musselwhite and others, learned the art directly from the older masters (except from Sonny Boy 1, who was murdered in 1948). Paul Butterfield (1941-1987) was among the greatest of this second generation, and did much to popularize the harmonica as a rock * advent of rock n' roll in the mid-fifties gave the blues themselves the blues. Sales of blues records dropped, many performers had to seek other livelihoods, and even Muddy Waters, whose bands always featured a harmonica player, found that audiences were unreceptive to slow blues in the nightclubs of *ile, the blues were being discovered in Europe, especially England, where young guitarists with names like Clapton, Beck, and Page were wearing holes in their records figuring out the riffs of B. B. King, Albert King, and other American black blues guitarists. The blues-based British rock invasion of the late sixties repopularized the blues, but now the audiences were young whites rather than blacks, who by then had moved on 。

          3.布魯斯藍調 英語

          Blues is a music genre based on the use of the blues chord progressions and the blue notes. Though several blues forms exist, the 12-bar blues chord progressions are the most frequently encountered. Blue notes are sung or played at a slightly lower pitch than that of the major scale for expressive purposes. Blues emerged at the end of the 19th century as an accessible form of self-expression in African-American communities of the United States from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative * use of blue notes and the prominence of call-and-response patterns in the music and lyrics are indicative of African influences. The blues influenced later American and Western popular music, as the blues form became a basic pattern of jazz, rhythm and blues, bluegrass and rock and roll. In the 1960s and 1970s, blues evolved into a hybrid form called blues rock. In the 1990s, punk blues appeared as an outgrowth of the blues rock and punk movements.。

          4.用英文介紹一下藍調音樂

          Rhythm and Blues was and still is a term used for a number of post-war American popular music forms. The term is credited to Jerry Wexler when he was editing the charts in Billboard magazine (1947). The term was used in the chart listings from 1949 onwards and the charts in question encompassed a number of contemporary forms that emerged around that time. R&B clearly has its origins in the secular folk music of the American black musician - the Blues. For me, the Blues is essentially about emotional expression and is predominantly a vocal medium - although there are many examples of blues instrumentals to refute this assertion, it is the singer who expresses the feelings of the blues; and there are a number of vocal techniques which are used to create the desired effects. There are of course a range of blues intrumentations which accompany the central vocal performance (the bending of guitar strings, the classic bottleneck of so many of the great blues guitarists, the harmonica imitating the idioms of the human voice etc. etc.) and which clearly help to create the unique blues performance. Although much has been written on the blues, the origins of the music are not particularly well documented. It is clearly influenced by the work songs of the deep South, ragtime, church music, minstrel shows and folk, even some forms of white popular music. The earliest and most frequently cited references to the form are to be found in the early 1900s and one of the early musical reference points is the W.C. Handy composition 'Memphis Blues'.Rural blues developed mainly in the three key regions of Georgia, Texas and Mississippi. Excellent examples of the Georgia style include Blind Willie McTell and Blind Boy Fuller, highly melodic and less intense than the Mississippi stylists such as Charley Patton, Robert Johnson and Johnny Shines. Interestingly however, perhaps the first real blues recordings were made in the 1920s by the women of the blues, artists such as Ma Rainey, Ida Cox and the wonderful Bessie Smith. At this stage the performances were still largely based on their stage backgrounds, backed by the leading jazz players of the * Waters One of the critical external factors which moved the blues form forward was the economic migration from the American South to the cities of the North by millions of black southern workers. The blues went with them, adapting to a more sophisticated urban environment. The themes of blues songs understandably became more urban, the solo bluesman was joined by a number of other musicians and the blues combo was born. The piano, harmonica, bass and drums and, most importantly of all, the electric guitar became the cornerstone of a sound of increasing rhythmic * of the major urban conurbations included Atlanta, Memphis and St. Louis but there are critical milestones to be found in any number of places. John Lee Hooker found a home in Detroit, the great T-Bone Walker established a following on the West Coast and Chicago exerted an influence of real significance - Sonny Boy Williamson, Muddy Waters, Little Walter, Howlin' Wolf, Elmore James and Otis Spann were all based * Blues has influenced just about everything musically which subsequently developed. Not least of which was the emergence of what came to be known as Rhythm and Blues。

          5.介紹點 英文的 藍調 說唱

          極力推薦:

          I'm Gonna Getcha Good!--Shania Twain

          Never Had A Dream Come True--S Club 7

          Any Man Of Mine--Shania Twain

          Happy Boys & Girls---Aqua

          Barbie Girl--AquaWhen You Say Nothing At All--Alison Krauss

          Candy Shop--50 Cent

          Back to you--Bryan Adams

          The Power Of Love--Celine Dion

          yellow--coldplay

          I COULD BE THE ONE--Donna Lewis 聲音很甜

          Without Me--Eminem

          Don't Turn Off the Light--Enrique Iglesias

          Any one Of Us--Gareth Gates

          American Idiot--Green Day

          Boulevard of Broken Dreams--Green Day

          Moonlight Shadow --Groove Coverage

          Yesterday Yes A Day--Jane Birkin

          Because You Live--Jesse McCartney

          Nothing gonna chang my love for you

          We Will Rock You--Queen

          better man--Robbie Williams

          all 4 one - i swear

          blue--one love

          blue-all rise

          bryan adams

          Burning-Maria Arredondo

          coast to coast-westlife

          right here waiting)

          sweetbox -more than love

          teriyaki_boyz-tokyo_drift_(fast_and_furious)

          fannypack- Hey Mami

          Hands In The Air

          Put It On Me Remix - Ja Rule

          don_omar_feat_tego_calderon-bandaleros

          6.關于藍調音樂的英文資料

          Rhythm and Blues was and still is a term used for a number of post-war American popular music forms. The term is credited to Jerry Wexler when he was editing the charts in Billboard magazine (1947). The term was used in the chart listings from 1949 onwards and the charts in question encompassed a number of contemporary forms that emerged around that time.R&B clearly has its origins in the secular folk music of the American black musician - the Blues. For me, the Blues is essentially about emotional expression and is predominantly a vocal medium - although there are many examples of blues instrumentals to refute this assertion, it is the singer who expresses the feelings of the blues; and there are a number of vocal techniques which are used to create the desired effects. There are of course a range of blues intrumentations which accompany the central vocal performance (the bending of guitar strings, the classic bottleneck of so many of the great blues guitarists, the harmonica imitating the idioms of the human voice etc. etc.) and which clearly help to create the unique blues *gh much has been written on the blues, the origins of the music are not particularly well documented. It is clearly influenced by the work songs of the deep South, ragtime, church music, minstrel shows and folk, even some forms of white popular music. The earliest and most frequently cited references to the form are to be found in the early 1900s and one of the early musical reference points is the W.C. Handy composition 'Memphis Blues'.Rural blues developed mainly in the three key regions of Georgia, Texas and Mississippi. Excellent examples of the Georgia style include Blind Willie McTell and Blind Boy Fuller, highly melodic and less intense than the Mississippi stylists such as Charley Patton, Robert Johnson and Johnny *stingly however, perhaps the first real blues recordings were made in the 1920s by the women of the blues, artists such as Ma Rainey, Ida Cox and the wonderful Bessie Smith. At this stage the performances were still largely based on their stage backgrounds, backed by the leading jazz players of the * WatersOne of the critical external factors which moved the blues form forward was the economic migration from the American South to the cities of the North by millions of black southern workers. The blues went with them, adapting to a more sophisticated urban environment. The themes of blues songs understandably became more urban, the solo bluesman was joined by a number of other musicians and the blues combo was born. The piano, harmonica, bass and drums and, most importantly of all, the electric guitar became the cornerstone of a sound of increasing rhythmic * of the major urban conurbations included Atlanta, Memphis and St. Louis but there are critical milestones to be found in any number of places. John Lee Hooker found a home in Detroit, the great T-Bone Walker established a following on the West Coast and Chicago exerted an influence of real significance - Sonny Boy Williamson, Muddy Waters, Little Walter, Howlin' Wolf, Elmore James and Otis Spann were all based * Blues has influenced just about everything musically which subsequently developed. Not least of which was the emergence of what came to be known as Rhythm and Blues介紹一個網站吧:e easy Moon River Over the rianbow Nothing's gonna change my love for you Because I love you I will always love you Scarbourgh fair Sound of Silence yestoday once more The one you love 今年大多數人愛聽的: 1)Avril-girlfriend: Avril在中國的名氣還是不小的,今年到處都在放girlfriend。

          你要說你沒聽過我也沒話說。 2)Ne yo-Because Of You: Neyo在So Sick之后的節奏感相當強的美聲說唱 3)Akon-Sorry,Blame It On Me: 不要一提到Akon就想起Dont Matter,這首歌是Akon在一次對歌迷的暴力行為后的道歉,旋律相當的誠懇,可以聽下. 4)Beyonce-Irreplaceable: 在美國的大街小巷,連小孩都會插著腰哼"You must not know about me, You must not know about me",你怎么能不聽一下這首07年度全球最火的RNB呢? 5)Daughtry-Home: Chris Daughtry將抒情搖滾走向了極致,雖然聲音不沙啞,但應該是遠遠超越Hinder的Lips Of An Angle了. 6)Maroon 5-Wont Go Home Without You: 輕而易舉一個優美的假聲,再加上輕松舒適的旋律,主唱性感的光頭造型,這就是Maroon 5. 7)Fergie-Big Girls Dont Cry: 這是黑眼豆豆主唱Fergie的一首比較柔和的歌,同樣推薦這張專輯里的Glamorous. 8)Alicia Keys-No One: 舒緩而又強烈的節奏,簡單的歌詞,啞而不沙的聲線,再也找不到第二個Alicia Keys了. 9)Carrie Underwood-Before He Cheats: 鄉村女王,感謝AI提拔了這個人才. 10)Amy Winehouse-Back to Black: 許多人都預計,Amy會憑著這首歌在今年的Grammy上大紅大紫. 11)Keith Urban-I told you s 就是我常提起的那個進戒毒所的孩子。

          這是首牛仔味十足的鄉村,相當有意思. 12)Rascal Flatts-Me And My Gang: 提到鄉村不能不提RF,十分年輕,十分有活力. 13)Taylor Swift-Our Song: 十七歲出道,自己寫歌的鄉村才女. 14)Jordin Sparks-Tatt 此人同樣來自AI,人們都說Tatto有模仿Irreplaceable的嫌疑.但是不能否認這首歌很好聽. 15)Rihanna , Jay-Z-Umbrella 16)Justin Timberlake-What goes around 17)Elliott Yamin-Wait For You 18)Blake Lewis-I got U 19)The Hoosier-Worried About Ray 20)Soujia Boy-Crank That:歌倒不怎么樣,這段舞全球出名. 21)Plain White Ts-Hey There Delilah: 很慢很干凈 22)Leona Lewis-Bleeding Love: X Factor第一屆冠軍,歷程與Kelly Clarkson極其相似,特別是當她唱A moment Like This的時候 23)Shayne Ward-No U Hang Up: 人很帥,這首歌表現的是熱戀中的孩子們的纏綿,打電話時"你先掛""不,你先掛" 24)Craig David-Hot Stuff 25)Kelly Clarkson-Never Again:除了這首歌,她這張專輯里幾乎沒什么動聽的了。和前兩張專輯根本不能比. 26)Linkin Park-what Ive done: 本來一聽以為是變形金剛主題曲,一查真的是,聽說Minutes To Midnight賣得很好。

          鄙人認為覺得這張專輯很吵,這個組合一直很吵,還不是很舒服的那種吵,同學告訴我這是靈魂的吶喊,還能聽著這入睡呢。神阿。

          喜歡LP的可以下了聽 27)GreenDay-Working Class Her 由于上學期有個叫徐深靈的孩子有一段時間天天循環播放Wake me up when september ends,那以后本人對Greenday已經沒有好感了,但這首歌拯救了他們在我心目中的地位. 28)Kanye West-Stronger 29)Britney Spears-Gimme More: 很有感覺的快歌,本人更喜歡這張專輯里Toy Soldier,把鼓發揮到了極致. 30)Beyonce , Shakira-Beautiful Liar: 很建議去下這首歌的MV,只能說這兩個女人都很拉美,都很性感.。

          8.有關福爾摩斯的簡單的英文介紹

          Shelock Holmes is one of the world's famous * is about 183cm * always wears balck dust coat and a black hunting cap.

          He is written by Sir Arthur Conan * was born on January 6,* is famous for his rational * can know many messages from a few * is a *h he don't like * is always polite.

          看在我自己寫出來的份上,給點分吧!已經很簡單了……

          布魯斯簡短英語介紹

          轉載請注明出處華閱文章網 » 布魯斯簡短英語介紹

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