華閱文章網1. 用英文介紹中國古典詩詞
Poetry is a form of literary art in which language is used for its aesthetic and evocative qualities in addition to, or in lieu of, its apparent meaning. Poetry may be written independently, as discrete poems, or may occur in conjunction with other arts, as in poetic drama, hymns or lyrics. Poetry, and discussions of it, have a long history. Early attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from prose. From the mid-20th century, poetry has sometimes been more loosely defined as a fundamental creative act using language. Poetry often uses particular forms and conventions to suggest alternative meanings in the words, or to evoke emotional or sensual responses. Devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm. Some forms of poetry are specific to particular cultures and genres, responding to the characteristics of the language in which the poet writes. While readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz and Rumi may think of it as being written in rhyming lines and regular meter, there are traditions, such as those of Du Fu and Beowulf, that use other approaches to achieve rhythm and euphony. Much of modern British and American poetry is to some extent a critique of poetic tradition, playing with and testing (among other things) the principle of euphony itself, to the extent that sometimes it deliberately does not rhyme or keep to set rhythms at * today's globalized world, poets often borrow styles, techniques and forms from diverse cultures and languages.。
2. 關于唐詩的英文鑒賞
李商隱的<落花>這是一首專詠落花的唐詩。
首聯寫落花與人的心情，含蓄蘊籍耐人尋味。頷聯從不同角度描寫落花“亂飛”的具體情狀。
頸聯直接抒發情感，巴望花不再落而不能。末聯寫花為裝點春天而開，卻落得飄零沾衣的結局。
表達了素懷壯志，不見用于世的凄婉和感慨。全詩洋溢著傷春惜花之感，情思如癡，委婉動人。
Li Shangyin
3. 用英文寫“如何鑒賞唐詩”
落花
李商隱
高閣客竟去，小園花亂飛。
參差連曲陌，迢遞送斜陽。
賞析：
李商隱的這是一首專詠落花的唐詩。首聯寫落花與人的心情，含蓄蘊籍耐人尋味。頷聯從不同角度描寫落花“亂飛”的具體情狀。頸聯直接抒發情感，巴望花不再落而不能。末聯寫花為裝點春天而開，卻落得飄零沾衣的結局。表達了素懷壯志，不見用于世的凄婉和感慨。全詩洋溢著傷春惜花之感，情思如癡，委婉動人。 Li Shangyin This is a special flower of the Tang Yong. The first written in conjunction with the flower's heart, subtle and intriguing Yun Ji. Maxillary joint from different angles describe Flower "flying" concrete-like situation. Neck joint direct expression of emotion, no longer look forward to spending can not be charged. Joint written at the end of spring flowers to decorate and open, but end up wandering Zhanyi ending. Huai-expressed determination to see the world of emotion and Qi Wan. Filled with a poem Shangchunxihua feeling, emotion, such as Chi, moving euphemism.
4. 求英文版的唐詩宋詞任意哪首都行,及其英文賞析 急
·A Note for an Absent Recluse
When I questioned your pupil, under a pine-tree,
"My teacher," he answered, "went for herbs,
But toward which corner of the mountain,
How can I tell, through all these clouds?"
（這首我讀了4遍才猜出來，汗~）
·尋隱者不遇
賈島
松下問童子
言師采藥去
只在此山中
云深不知處
·草
白居易
離離原上草，一歲一枯榮。
野火燒不盡，春風吹又生。
·It's like a range
when you look at the mountain from the front.
But it's like a peak
When you look at it sideways.
The mountain shows its different features
In different levels near and far.
You don't know the real Lushan Mountain,
Because you are in the mountain yourself.
5. 宋詞譯英文.宋詞譯英文.意譯其心境.不必押韻.謝謝.鵲橋仙（宋） 愛問
這是江紹倫譯的版本： Clouds float creating wonders like artist feats Stars' fleeting regret repeats Across the Milky Way the Cowherd Star silently goes to his annual retreat A single moment together amid golden breeze and jade dew Can eclipse all human affections in multiple heat Their love flows tenderly as water This happy date seems but a dream They had to leave the Magpie Bridge to go each their own way When lovers promise to love forever Need they measure togetherness by hours and day。
6. 用英語介紹一下唐詩和宋詞 再介紹一下梁祝的故事
The Poems of the T'ang Dynasty （唐詩）As many a dynasty in Chinese history is marked by some phase of success representing the thought and life of that period, the T'ang Dynasty is commonly recognized as the golden age of poetry. Beginning with the founder of the dynasty, down to the last ruler, almost every one of the emperors was a great lover and patron of poetry, and many were poets themselves. A special tribute should be paid to the Empress Wu Chao or the "Woman Emperor" (684-704), through whose influence poetry became a requisite in examinations for degrees and an important course leading to official promotion. This made every official as well as every scholar a poet. The poems required in the examination, after long years of gradual development, followed a formula, and many regulations were established. Not only must the length of a line be limited to a certain number of the characters, usually five or seven, but also the length of a poem was limited to a certain number of lines, usually four or eight or twelve. The maintenance of rhymes, the parallelism of characters, and the balance of tones were other rules considered essential. This is called the "modern" or "ruled" poetry. In the Ch'ing or Manchu Dynasty the examination poem was standardized as a five-character-line poem of sixteen lines with every other line rhymed. This "eight-rhyme" poem was accompanied by the famous "eight-legged" literature ( a form of literature divided into eight sections ) as a guiding light for entrance into mandarin * above-mentioned rules of poetry applied first only to examination poems. But afterwards they became a common exercise with "modern" or "ruled" poems in general. Chinese poetry since the T'ang Dynasty has followed practically only two forms, the "modern" or "ruled" form and the "ancient" or "unruled" form. A poet usually writes both. The "eight-rhyme" poem, however, was practised for official examinations * most famous writers are Li Bai 李白 （Li Taibai 李太白）， Du Fu 杜甫， Du Mu 杜牧， Meng Haoran 孟浩然， Wang Wei 王維， Bai Juyi 白居易 （Bo Juyi）, Li Shangyin 李商隱， Yuan Zhen 元稹， and many more. Several thousand Tang poems are collected in the Qing time compilation Quan Tang Shi (Quantangshi) 全唐詩. The second half of Tang Dynasty saw the rise of a new poetry style. A poet should fill a traditional melody pattern with new words (ci 詞). This ci style poem was more complicated like the old shi style poems and reached its maturity during Song Dynasty. The most important representant of Tang ci poetry was Li Yu 李煜， emperor of Southern Tang (937-975).-------The Lyrics of the S'ong Dynasty （宋詞）The ci 詞 lyric is very different from the shi type. Today the term ci simply means "word". While the older Tang Dynasty shi lyric can be read without minding the underlying melodies - even if there existed some underlying melodies - ci poetry must be seen as written songs. Most of the poems do not even have their own title, but they are named after an original melody. Composers and writers used this melody to write a new poem that could be sung to the original famous melody or tune pattern (cipai 詞牌)， a technique called contrafactury. This is the reason why we often see the same title for a ci poem, like Die lian hua 蝶戀花 "Butterflies love blossoms", Man ting fang 滿庭芳 "Scent fills the hall", or Yu meiren 虞美人 "Lady Yu". There are more than 800 tune patterns. Ci lyric emerged during the Tang Dynasty in response to the popularity of foreign musical tunes imported from Inner Asia. During Song Dynasty, two different styles of ci poetry developed, the haofang 豪放 "heroic abandon", and the wanyue 婉約 "delicate restraint". Like shi poetry was still in use during the Song Dynasty (see an example of a Lu You shi), ci lyric again became very popular during the Qing Dynasty. Even the communist chairman Mao Zedong is considered to be a great ci poet. The "Three Hundred Song poems" (Song ci sanbai shou 宋詞三百首) anthology was compiled by the "Jiangcun ci club" Shangjiang Cunmin 上強村民 under the guidance of Zhu Zumou (1859-1931) 朱祖謀. Except the examples below, there are some famous Song poets, like Wang Yucheng 王禹偁 （954-1101）, Liu Yong 劉永 （980-1053）, Yan Shu 晏殊 （991-1055）, Mei Yaochen 梅堯臣 （1002-1060）, Shao Yong 邵雍 （1011-1077）, Wang Anshi 王安石 （1021-1086）, Huang Tingjian 黃庭堅 （1045-1105）, Qin Guan 秦觀 （1049-1100）, Zhao Buzhi 晁補之 （105。
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